Submerge’s Top 20 of 2012

Posted on 28 January 2013 by dubs

Submerge’s Top 20 of 2012

From local bands and beyond, here are Submerge’s favorite albums of 2012, in tweet-friendly format. These albums are certified #awesome!

20) Jessica Pratt
s/t

(Birth Records)

Pratt’s debut of home-recorded, time-capsule folk stood as a brilliant reminder of the beauty in lo-fi love letters.

19) Wife & Son
This That and the Other

(self-released)

A brilliant indie-pop record from one of our favorite new local bands. The suburbs of Sacramento have never sounded so good!

18) Marina and the Diamonds
Electra Heart

(679 Recordings)

Pop anthems with heart and humor for disenfranchised prom queens and introspective home-wreckers.

17) The Ross Hammond Quartet
Adored

(Big Weezus Music)

Jazz requires inspiration. The Ross Hammond Quartet’s Adored comes from a budding father’s lullabies fed through free jazz spontaneity.

16) Beach House
Bloom

(Sub Pop)

Called a “dream pop duo,” Beach House records a calming and eerie sound unique to much of the music today.

15) Metz
s/t

(Sub Pop)

Sporadic screaming bursts, fuzzy bass and plenty guitar chaos, this album has ears both assaulted and surrendering over and over.

14) Thee Oh Sees
Putrifiers II

(In the Red)

Veteran psych-punk loonies leapt out of the garage and into national consciousness with their liveliest cuts of fuzzy fun.

13) Action Bronson and Party Supplies
Blue Chips

(mix tape)

Skillful rapping mixed with humor and bravado over a range of stellar production, and it’s a wrap. It’s a fun album with rewards for mindful ears.

12) Edward Sharpe & the Magnetic Zeros
Here

(Rough Trade)

The perfect band of misfits surpasses all expectations with their second studio album full of charismatic, folk-y love songs and smiles.

11) Fine Steps
Boy’s Co.

(self-released)

Fine Step’s Boy’s Co. should be on Slumberland. On Captured Tracks. Hell, even Burger. Two self-presses later, Fine Steps gets the glory.

10) Witchcraft
Legend

(Nuclear Blast)

Pure, heavy riff alchemy. Progressive, yet retro. Metal shouldn’t sound this groovy, but we’re glad it does.

9) Japandroids
Celebration Rock

(Polyvinyl Record Co.)

A fitting album title, indeed. Anthemic as all hell, this is a singalong, raise your glass type punk rock record.

8 ) St. Lucia
s/t

(Columbia)

Catchy, dreamy electro-pop fit for a night club or sweaty hipster venue. Leader Jean-Philip Grobler is a pop-music force to be reckoned with.

7) The Sword
Apocryphon

(Razor & Tie)

The lords of stoner rock reach new heights on a space-y trip down the heavy metal rabbit hole.

6) The Mars Volta
Noctourniquet

(Warner Bros.)

Nearly three years in the making, Noctourniquet was worth the wait. Sounds exactly like a Volta record should, and that’s why we love it.

5) C-Plus & Lee Bannon

Young Champions
(self-released)

Two of Sacramento’s finest team up for an epic release. No features, just Plus’ smooth flows over Bannon’s undeniably sick beats. Go cop it!

4) Kendrick Lamar
Good Kid M.A.A.D. City

(Aftermath/Interscope)

Believe the hype. A brave debut, from a bright mind who showed that you can create outside the box and succeed. Truly masterful in every respect.

3) Tame Impala
Lonerism

(Modular)

Lonerism is damn near perfect. It’s a psych album with pop melodies; heavy guitars, intricate drumming, humming keys and an irresistible sonic sheen.

2) Death Grips
The Money Store

(Epic)

Weird, angry, non-imitable experimental hip-hop from Sacramento. Is it rap? Is it punk? What the fuck is it? Don’t ask, turn it up!

1) Solos
Beast of Both Worlds

(Joyful Noise)

The sonic symbiosis of this Aaron Ross/Spencer Seim collaboration explored bold and bizarre realms. Sleeper LP of the year.

dubs
Words by dubs

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