Midtown Cocktail Week will raise your drink awareness
Words & Photos Anthony Giannotti

What is your favorite alcohol? Whiskey? Vodka? Tequila? How do you like to drink said favorite libation? Sip it? Shoot it? Mix it? Well no matter what your drink of choice is or how you prefer to get it down your throat, Midtown Cocktail Week will have an event for you. This week of cocktail enlightenment will be held Aug. 9—15, 2010 at various locations around Midtown Sacramento. It isn’t a week for just getting trashed and throwing up on your neighbor’s lawn–being a little tipsy may be a by-product of the festivities–but this week’s focus is cocktail education and appreciation. “Our goal is to educate people,” says Joe Anthony Savala, one of the event organizers and founder of the drink program at Zocalo. “We want people to drink better. People in Sacramento are eating better than ever, so why not drink better? We want them to know what fresh ingredients taste like. We also want people to get out and try new stuff!”

Education is an apparent theme in the week’s list of activities. Starting off the festivities on Monday will be L Wine Lounge, where the theme will be the art of drinking well, and timely drinks. They will be showing how you should be drinking through an entire meal, from aperitif to digestif. “We are excited to be involved again this year,” says Chris Tucker, lead mixologist of L. “We are trying to raise people’s expectations of their local bars.”

Tuesday’s events will give some of the local bartenders a chance to show off their chops with a mixology competition. This cocktail creation competition has a similar format to Iron Chef. The battle for cocktail king will take place at Lounge on 20.

For all you whiskey enthusiasts out there, De Veer’s Irish Pub will be showing off their impressive whiskey selection with their Whiskey Around the World tasting on Wednesday. The whiskey experts at De Veer’s will be sharing some pretty intense knowledge while helping you find a whiskey that suits your palate. So come with a thirst and an open mind. Shady Lady Saloon will be handling Wednesday’s after party, as well as hosting a number of their own events throughout the week. “We are really excited about this event,” says Shady Lady bartender Travis Kavanaugh. “We have different events going every night of the week.” Just a few of the special attractions at the Shady Lady during Midtown Cocktail Week will include a Don Julio presentation, a tiki-themed night, live hand-rolled cigars and visiting guest bartenders from San Francisco’s prohibition-themed saloon Bourbon and Branch.

“We really want people to know how much better fresh hand crafted cocktails taste,” Kavanaugh says.

Tequila guru Joe Anthony Savala breaks down Thursday’s activities at Zocalo. “I love Latin spirits–mezcal, pisco and tequila,” he says. “We want people to enjoy them as much as we do, that is why we are doing a mezcal tasting and education.” Zocalo will be sampling different mezcals from different regions of Mexico. They will also be demonstrating how you can make simple, fresh drinks from south of the border at home. As if a smorgasbord of tequila and regional Mexican food isn’t enough, notable fine dining restaurant and bar Ella will be dispensing late-night drinks and tastings to finish off the evening.

The new dim sum restaurant Red Lotus will be starting off Friday with specialty block ice cocktails. If you have not had a chance to indulge at Red Lotus, this would be a great time to sample from its diverse menu and try an Asian fusion cocktail. Grange will be closing out Friday with some local spirits and food pairing. To say that Sacramento is proud of its local produce is an understatement; we like to see it in our local restaurants. The staff at Grange Restaurant are also very strong believers in the slow food movement. “We have some really neat local alcohols and fresh local ingredients, as well as some very high profile bartenders guest spotting,” said Ryan Seng, mixologist at Grange.

We all know that The Golden Bear is known for their enticing front patio, tacos and $2 Miller High-Life, but on Saturday afternoon, be sure to investigate their newly remodeled back patio and freshly devised cocktail list. Sunday will kick off at Hot Italian for some unique Italian cocktails. I don’t know exactly what Italian cocktails consist of, but I’m sure my fellow I-tie’s will bring more flavor than Steve Zissou’s campari and grapefruit juice concoction. Sunday night the wrap party will be held at The Torch Club. The Torch Club was founded the year Prohibition ended, so come dressed in your best suspenders and flapper dresses. It will be a Prohibition-themed party featuring five classic drink recipes.

Remember these are just a few of the events at a few of the locations. Check Midtowncocktailweek.org or ask your favorite local bartender for a full list of events.

After Two Decades of Creating Music, Brian Hanover Collects No Dust
Words Anthony Giannotti | Photo Scot Stewart

Brian Hanover is most well known for his years fronting the Sacramento-based street punk band Hanover Saints. After seven U.S. tours, two full-length records, four EPs and nearly 10 years playing together, Hanover Saints called it quits in 2005. Fast forward to 2010: the 35-year-old is about to release his second solo album, publish a book of his writings, continue running his own screen-printing business and still finds time for his family. Brian’s mindset fully embodies the D.I.Y. lifestyle, going as far as to release his solo albums on his own record label Revolution Ink Records, casually saying, “I work hard, it’s just what I do; I don’t know anything else.”

He also does something a lot of older musician don’t do. He doesn’t rely on his past successes. “I want to stay relevant,” Hanover says. “I don’t want to be the crusty old guy that doesn’t know what the kids are listening to.” I had a chance to catch up with Hanover over a few pints of Guinness at one of my favorite Sacramento dive bars, The Press Club.

Thanks for meeting up with me here; I know you’re a busy guy.
No problem, thank you. I’ve only been here a couple times. One of the first times I came to The Press Club was in the early ’90s to see U.S. Bombs. It was a crazy night; I was over there behind Townhouse smoking and some kid got stabbed at the show!

So you’ve been around the Sacramento punk scene a long time.
In 1984 I was skating a launch ramp with some friends, and someone down the street was blaring 7 Seconds Walk Together Rock Together. Later that day I made my mom drive me to the record store—back then there was Dimple, Record Factory and of course Tower. I got my first punk records that day, 7 Seconds’ The Crew, and Black Flag’s Damaged. I started going to local shows in the mid-’80s. I even met my wife at a Suicidal Tendencies show back when Big Shots was still open.

Yeah congratulations on the 10-year wedding anniversary. You just got back from a little trip?
Thanks, it’s been a good 10 years. We went up to wine country for the weekend.

What’s it like trying to balance your own business, wife, kid and being a recording/touring musician?
[Laughs] There really is no balance; I think it’s priorities for sure. My wife knew what she was getting into. This is just what I do, and I was already in a band when we got together. One thing that really strengthens us as a couple is being able to do our own thing, it allows us to grow together, really surrounds us with love and grace, [laughs] a lot of grace.

Speaking of doing your own thing, I took a listen to the new release. It’s very good, quite the departure from the Hanover Saints”¦
Yeah some of it is. For this album I wanted to strip most of the songs down so I really only used an acoustic guitar, tambourine, harmonica and on a few songs electric guitar. All accept the fourth track; it actually was a Hanover Saints song that never made it on an album. It was right toward the end of it. I had already been writing solo stuff, and I brought it to practice when we were playing as a three-piece with Chris from Killing the Dream on bass.

Some of the songs on here have a real Johnny Cash/Bob Dylan singer/songwriter vibe jumping off them.
Each song is a little bit different from the other; they may have a common thread but I tried to get a large variety. Everything I sing about is all true stories, all personal experiences, kind of a Pete Seeger thing. I wanted to do this release differently because of all the different formats everything is coming out in. So the way I’m doing this release is in three volumes, every four months four more songs come out. The next volume is going to come out with a book I wrote and a coffee mug, because it all started with coffee and late-night rants for me.

How did the book come about?
Like I said, I was always at coffee shops writing. Some of the Hanover Saints lyrics I always really liked as standalone pieces. I had been cleaning out some old papers, and I found old poetry, short stories and some other stuff. I thought I’d like to publish it; I don’t know if it’s any good. Sometimes writers can think a little too much of themselves, think they’re a little bigger than life, but I went to a bookstore and picked up a book of poetry and one of the stanzas I turned to was literally four sentences. I thought, I can totally do this. It’s ridiculous.

Do you think it was the writing that attracted you to more of the acoustic style as opposed to staying in the punk rock genre?
Most of the Hanover Saints was written on acoustic or electric. It just depended on how I heard it in my head. One day I was playing the song “Bad Man” at home, Mike Erickson happened to be doing some work for me and heard it. He talked me into putting that song on Hanover Saints record Murdertown, which Pressure Point was producing. By the end of Hanover Saints I felt I had said everything that avenue would allow me to say. I really wanted to get that one on one connection with the audience. I definitely think there is a place for the loud thing. I’m always going to be into punk, and I’ll probably play it again, it’s just if you’ve said what you need to say for that part of your life I don’t feel the need to keep dragging that dead horse around.

Have you found that one-on-one connection?
I wanted to try getting up and doing a solo show but I was too afraid. Then in 2005 Kevin Seconds talked me into being on a bill with him. I just fell in love with it. Being able to play coffee shops, small bars, garages, living rooms and really some sketchy places is an entirely different, incredible, personal experience for me. You can get to know the people and the city you are playing in instead of rushing through to the next gig like when you’re in a full band. I’ve made some great friends all over the country playing solo.

You can get personal with Brian Hanover at the Blue Lamp March 17, 2010 for his 21 and older CD release or March 19, 2010 at 16th Street Café (The old Javalounge).

7Seconds, Youth Brigade, Pressure Point, Boats!, The Knockoffs
Shire Road Club “¢ Friday, Jan. 29, 2010
Words & Photos by Anthony Giannotti

When I heard about this show I was really excited for several reasons: First, I hadn’t seen some of the bands in almost 10 years; second, it showcased a wide cross-section of Sacramento punk rock talent; and third, it gave me a reason to get out of the grid and check out a new all-ages venue. So I made the trip all the way out to The Shire Road Club.

The Knockoffs

First up were The Knockoffs. The band consists of guys from other great Sacramento punk bands The Secretions and The No-Goodniks and Berkeley, Calif.’s Mr. T Experience. Right out of the gate these hometown heroes hit us with three-chord punk that would do The Ramones proud—songs chock-full of sing-alongs, power hooks and quirky choruses about girls. I found the drummer of this band to be very interesting; in fact I couldn’t take my eyes off him. Imagine if The Rock stopped taking steroids and played with the exact facial expression/drumming style of Ringo Starr circa 1964.

Next up was the pop punk trio Boats! The set started out with some equipment malfunction that caused the guitar player to miss some notes and forget chord changes. Anyone that has played in a touring band understands every show can’t be the best one you’ve ever played; you just move on and play better next time. These guys did have some catchy tunes. Similar to something you might hear on a late ’90s Screeching Weasel album, fun goofy three-chord punk. The bass player David blew me away, honestly one of the best young punk bass players I’ve seen in a long time.

The third band, and arguably the best band on the bill, was Pressure Point. I really don’t know what else to say about these guys, they are just fantastic New York style hardcore punk. Apparently I was not the only person who felt this way because the previously motionless, expressionless crowd burst into a wild circle pit, fist-flying singing along to all the songs. These guys brought a little more musical complexity to the night, more than five chords per song and some flashy lead guitar. Pressure Point brought out an interesting observation; punks, skinheads and hardcore kids attended this show. Not a lot of other cities can boast such unity.

Youth Brigade

As soon as Youth Brigade hit the stage I was immediately unimpressed. Yeah I know, punk legends, been around forever, whatever. For some reason Shawn Stern (lead singer) had a problem with the majority of the audience not being born before his band started. He seemed to imply that we weren’t there so we don’t “get it.” This is the equivalent of Boss Hogg telling me I don’t “get” Dukes of Hazard because I wasn’t born in the south. I don’t see this in any other genre of music but for some reason some old punk rockers are ageists. Sorry for being younger than you. I don’t know what you want me to do about it. If you’ve seen the classic punk documentary Another State of Mind, you’ve seen modern day Youth Brigade. They still play teeth grinding aggressive ’80s style barking hardcore punk. Shawn is still singing about politics and playing the same power chords, I didn’t get the impression that he wanted to be there. He acted as if he was going through the motions, to get paid.

7Seconds

7Seconds was the last band to take the stage, they immediately kicked down the doors and tore the roof off. They played fast, loud, and hard. I was surprised Bobby didn’t break a string the way he slammed on that guitar. Steve Youth played about as complicated of a bass line as you can fit into a blazing fast punk song. I loved Kevin’s vocals, that distinct higher range is one of the things that has made 7Seconds so recognizable over there career. What an extraordinary band, they are celebrating there 30th anniversary so get out and see them!

All said and done it was a good night with very talented bands. It was a good reminder of what I love about punk rock. I hope Shire Road Club has more of these shows in store for us.