Some buildings just can’t keep quiet. Only a few weeks after it was announced that the downtown Sacramento music venue Starlite Lounge was closing (more on that here), we’re already getting word that the building will once again host live music in the not-so-distant future with a new name and a new management team.
Bret Bair, one of the forces behind the music venues Ace of Spades and Goldfield, among other local businesses, told Submerge today that “the ball is definitely rolling” for him and his team to take over the old Starlite building and start booking shows there under the new name Holy Diver.
“We hope that we’ll be doing shows there by Nov. 1, but there’s a chance it could be sooner,” Bair explained, going on to point out that they won’t be doing any “crazy, rebuild-the-whole-place type changes” to the building, but that they will be doing some cosmetic stuff.
Bair is also hopeful the venue will be able to host all-ages shows, stating that they will “work with the City of Sacramento on hopefully getting conditions that are similar to Ace of Spades.”
Originally, Bair and his team had planned on opening Holy Diver out in the suburbs, in a space that used to be called The Body Shop, but permitting setbacks and other hurdles caused them to jump at the opportunity to bring the project downtown.
“We plan on continuing the whole thing, you know, with bands upstairs, DJs downstairs,” Bair said of Holy Diver moving into the building downtown (which for many years before Starlite Lounge was known as The Townhouse).
“We’d like it to be a cultural epicenter,” he said of the space.
Keep it locked here and Submerge will do our best to keep you in the loop about when we can expect to Holy Diver to open. Bair and his crew also have a number of other projects in the pipeline, including opening a bar called The Cabin in a space near Kupro’s on 21st Street that used to be a tattoo parlor, and turning the aforementioned Body Shop space into a country bar called The Tackle Box. More on all that later, too.
For more on their other venues and to see upcoming shows they’ve got booked, visit Aceofspadessac.com and Goldfieldtradingpost.com.
EDITOR’S NOTE 8/17/17: PLEASE READ THIS UPDATED ARTICLE! “HOLY DIVE BAR” IS NOW OPENING DOWNTOWN IN THE FORMER STARLITE LOUNGE BUILDING AS “HOLY DIVER!” CLICK HERE TO READ MORE!
Sacramento-area concert goers in the 21-and-under crowd will soon have one more option for a night out with the opening of a new all-ages music venue in Sacramento. The team that brought us Ace of Spades, a popular 1,000-plus capacity club in downtown Sacramento, plans on opening a new all-ages venue “sometime later this year,” according to partners Bret Bair and Eric Rushing. The new venture will be called Holy Dive Bar, and while details remain sparse at the moment, Bair and Rushing have confirmed with Submerge that they do have a location picked out. The new venue will be comparable in size to The Boardwalk, which they no longer are operating. Holy Dive Bar’s exact location will be announced in the coming months, but we can confirm that it is not downtown but somewhere “in the burbs.” By the looks of it from the venue’s Facebook page (Facebook.com/holydivebarsac) it looks to be somewhere in the area of Madison Avenue and Auburn Boulevard. According to Bair, Holy Dive Bar will “cater to the local scene as well as up-and-coming national acts,” going on to say, “We’re doing it for the kids!” This is huge news for the local music scene! We’ll try and keep our readers informed of updates on this new venue. In the meantime, check out their other shows at Ace and Goldfield.
Major changes are coming to The Boardwalk, an iconic all-ages music club that’s hosted national and local bands across many genres since the late 1980s. The venue is set to close in January and February for a remodel, and when it re-opens in March to celebrate its 30th anniversary, it will become a primarily 21-and-over room operated and booked by the original owner, Mark Earl. Those who follow the local music scene closely will already know that since late 2014, The Boardwalk has been operated and booked by Eric Rushing and Bret Bair, founders of popular downtown Sacramento music venues Ace of Spades and Goldfield. Rushing also booked shows at The Boardwalk from around 2000–2010. But now the two are stepping away from The Boardwalk in order to focus on their other ventures and to let Earl do his thing with the room. And while we here at Submerge are sad to see more all-ages shows in Sacramento going away, there are still a handful of rad gigs booked by Rushing at The Boardwalk through the end of the year, like badXchannels on Friday, Dec. 2 (a new project from Craig Owens of Chiodos and Destroy Rebuild Until God Shows); Mushroomhead on Wednesday, Dec. 7; Tribal Theory on Friday, Dec. 9; Animals As Leaders on Friday, Dec. 16; Hail the Sun on Saturday, Dec. 17; and Brotha Lynch Hung on Dec. 30, just to name a few. Visit Theboardwalkpresents.com to snag tickets to any of those shows. Keep an eye out here on Submerge for follow-up articles on the new Boardwalk incarnation, as well as any updates from Rushing and Bair, who are rumored to be looking for a new downtown spot to open another venue.
Not one to ever sit still, Sacramento entrepreneur and music business guru Eric Rushing (of Artery Foundation Artist Management, Artery Recordings, Ace of Spades, The Boardwalk, Goldfield and other entities) recently announced he opened a full-fledged recording studio in Sacramento called Gold Standard Sounds. “After 20 years in the music industry I’m extremely excited to open a state-of-the-art recording studio in my hometown,” Rushing stated in a press release sent to Submerge. “Not only did I open this studio so that that bands could record music but I created a really cool environment for writing sessions, video sessions and listening parties.”
Between his management company and record label, Rushing and his team represent some of the best bands in rock and metal, including national acts like Alesana, Chelsea Grin, Attila, Vanna and Anvil, as well as top-notch signed local and regional bands like Will Haven, Hoods, Hail the Sun, Horseneck, Graveshadow and many others. Between all of the bands his companies represent as well as all of the touring artists coming through town and playing the venues he owns, it’s easy to imagine why Rushing would get into the recording studio game.
“This will be a great addition for the label and management company that we have built on a local and national level,” he stated. “GSS showcases the only SSL Console in town and with a big L.A. studio vibe.” Learn more about the studio at Goldstandardsounds.com
Alive and Well
Earlier this year, Gene Simmons of KISS proclaimed, “Rock is dead,” and a massive backlash ensued. Because of the headlines that failed to address the context of his quote, Simmons was consequently vilified by the media.
On many levels, however, he was completely correct. Bands growing up during these times are getting virtually killed by file sharing and the like, and the model for new acts to grow has been eroded.
Sacramento’s Some Fear None, however, have led the charge locally and in neighboring cities to prove Simmons and the many naysayers here dead wrong. Through hard work, perseverance and a lot of sweat and tears, they have shown other striving local acts that a great band can come together and rise above. Furthermore, they are proof positive that people will pay to hear and see quality music when it’s done with heart and gusto.
For the uninitiated, Some Fear None is a hard rock band featuring Nathan Giguiere (vocals/guitar), Charles Carrasco (guitar), Jason Weisker (drums), and Gina Salatino (bass/guitar). And while the current lineup took several years to find its stride, the band is now firing on all cylinders and making one of the most ambitious moves a local band can take: headlining the 900-capacity Ace of Spades.
While the band’s influences are far reaching—they love everything from Deftones to Foo Fighters, Far to Alice in Chains, Tool to Soundgarden, Tremonti to Helmet—their sound is definitely radio-friendly, harmony-driven hard rock fare that would work well in rotation on 98 Rock or any like-minded station across the United States.
Unlike the thousands of Sacramento bands who play far too often, Some Fear None practice the “less is more” mentality and know how to properly set up a local show for maximum effect. As evidenced at their selection of support slots for national acts and, of course, their own headlining shows, their live shows are major events.
Frontman Nathan Giguiere took some time out of his busy schedule to shed some light on the band’s new release To Live and to Die and their pending CD release show on Aug. 1, 2015.
How did you come to join the band? I had never heard your name previous to joining Some Fear None.
What’s interesting about me is that I really had no part of the music scene or industry before joining the band. I didn’t even have any music to send them for the audition. I simply said, “Look, I want to do this and, at the very least, trying out for the band is something that is very important to me.” The band advertised on Craigslist for a singer, and I went there to see what was going on in the scene and to be basically be a fly on the wall so I could learn the ins and outs of being with other guys in a band setting. I replied to their return message letting them know that writing was my strong suit and to send me three songs, and I will provide the vocals and lyrics. I guess it worked because here I am. I had no training formally but I sang in my church choir my entire life beforehand.
So when did the band Some Fear None come to fruition?
Some Fear None was originally formed in 2010 and played five or six shows. I auditioned in the summer of 2011 after the band had broken up since the bassist and second guitarist had just left. They called me back for what I thought was my second audition and then told me they were breaking up. “We want to be straight with you, we have no band and would love to play with you. If you’re in, all we need to do is find a space, find a bassist and guitarist.” I told them I could play guitar and we immediately started auditioning bassists and eventually found Sean Navine; who played around four shows but soon left due to personal issues. After we parted ways, we decided to let Gina, my sister-in-law and guitar tech, get a shot. She was friends with me for years and was actually a guitarist that knew how to play bass and became even better over time. She’s a monster player and ended up joining the band after filling in for a couple of shows. After she bought her own bass rig, it was obvious she was serious. She joined in November 2011 and has been here since.
What was the band called before that?
Snapdraggin. It had two of the members, Chuck and Jason, from Some Fear None. They previously had a singer that didn’t work out for whatever reason. I simply said I didn’t want to hear what he’s done before since I had my own ideas and needed to prove myself. Snapdraggin, believe it or not, was close to being signed but they had a massive falling out which I would rather not go into.
Exactly how long did To Live and to Die take to write and record?
It basically took two years. We released Break Fold and Elevate, our first CD in May [2013] and did a CD release show. 98 Rock put us on Local Licks and that eventually helped us land a slot on the Sac Town Rocks show in June 2014 at the Capitol Mall with Tesla and Oleander. We played third of five on the local band stage and had a great response. The new single is called “Wave,” and we’re pushing that right now.
So you’ve been basically living and dying promoting the shit out of this show at Ace of Spades. Why such a big room and why not The Boardwalk or another smaller venue?
First off, I need to mention that Eric Rushing [Ace of Spades talent buyer] gave us our big break. What I most respect about him is that he has trusted me ever since we started working together. A couple of years ago Eric said, “You put a good lineup together, and we’ll do it” without really thinking twice. On May 4, 2013, we headlined Ace of Spades and drew over 700 people and definitely proved ourselves worthy of the room. Of course, now we have a new album and the pressure is even greater. However, we’ve been pushing this show for a bit. I work well on deadline and so does my band. Once you have a CD release show on the books, it makes everyone work to get the artwork done, the music produced, and have the show properly promoted.
Is everybody involved in the songwriting process these days or have you taken over?
Yeah, everybody contributes, and it’s definitely a group effort. Of course, I write all my own lyrics and tell the stories but the initial songwriting comes from who brings the riffs or songs in. I’ve made a point to remove myself and write lyrics alone after the music is pretty much done. Every lyric I write is the result of how the music makes me feel and is usually about an experience that I’ve personally had. I use the song as the backdrop.
We’ve been rather deliberate with the songs we chose for the new record. When we play live these days as well, we have dropped all the earlier songs in the band but one song called “Exit Wound,” which was reworked for greater effect.
Why use an expensive well known name like Howie Weinberg to master your album?
Only a year ago I recognized that as amazing as we’d like to think we are, there are a million other bands thinking the same. The only thing separating us from the others was what we put into the album to make it better. We had a band meeting and talked about where the band was at. We then signed a short-term management company contract to have someone help connect us with the right people. The Inner Light Agency suggested Howie and he did our album for only $200 a track. We had no relationships outside of here and had always been the red-headed stepchild in the Sacramento scene that had to earn everything. Simply put, we are the guys who have done our dirty work and it’s been a long, hard road to get where we are.
What are some of your favorite markets to play these days and why?
We have tried to trade shows with other bands in other markets, but they have always failed us and not delivered a return show. It’s so much work to set up a trade, and we don’t have the time nor energy to track down bands who owe us a show favor. We need to work on getting out of town. We religiously rehearse two times a week and for every one show in town we play three out of town. With the release of our sophomore album To Live and to Die, we have set our sights on the West Coast and expanding into new markets. These are places where our fanbase is small but notable but there are requests growing to play cities like Phoenix, Los Angeles, Las Vegas, Seattle, Spokane, Portland and more. In 2016 we will be focused on the promotion of the new album by heading out on several mini-tours in support of it.
Do you have some outtakes that will be released on a later EP?
We recorded 14 songs. Eventually, the plan is to release a single for one of the extras called “Driver” that will have an accompanying video. The new album has 12 songs.
Is your end goal to get a record deal or is the band simply concentrating on building a fanbase?
A little of both. We’ve had a couple of indie label offers but my end goal is not to be signed. We’re not desperate to find anyone yet. We are constantly looking to diversify our portfolio and get ourselves seen by as many people as possible. The moment of musical euphoria is just as important to the audience member as it is to us and music is our vehicle to help deliver it.
See Some Fear None celebrate their new CD To Live and Die on Saturday, Aug. 1, 2015, at Ace Of Spades in Sacramento. Also on the bill are Black Map, Sages, Control and Heat of Damage. Tickets are $12 in advance and can be purchased at Aceofspadessac.com. For more info on Some Fear None, visit Facebook.com/somefearnone.
Holding the Keys to Success
Numerous bands have nearly the same blueprint for how they began. Typically, a group of friends either scrape up enough money or have parents nice enough to purchase them their first music equipment. Countless hours are then spent learning instruments and honing a craft and style.
Conquer Divide, comprised of six young women, have a different and unique story about their formation. Founding members Sarah (bass) and Kristen (guitar) hail from Detroit, Michigan. They were friends from a previous project, but admit that it wasn’t easy rounding out the rest of the members. Many ads were placed on several online platforms hoping to find like-minded females that would mesh with their sound. It was estimated that a couple hundred women from around the world auditioned for three spots in the band: second guitarist, drummer and vocalist.
It was Sarah and Kristen’s goal to find new members that were not only talented, but also dedicated. Their wish was granted with the addition of Janel (screaming vocals), Kiarely (vocals), Tamara (drums) and Izzy (guitar). However, one glaring obstacle for the group is trying to make logistics work with members residing in Michigan, Texas, California and the United Kingdom. It is quite apparent that drive, determination and desire allow for Conquer Divide to be one unit.
Their convergence results in an intriguing blend of metalcore and pop rock. Upon listening, one cannot ignore the fierce guitar riffs and solid rhythm section. The dual vocal tandem of Kiarely and Janel showcases aggressive and melodic affinity. These elements caught the attention of Sacramento’s own Artery Recordings, who are responsible for releasing the group’s forthcoming self-titled debut.
Prior to embarking on The All Stars Tour 2015 for a solid month, bassist Sarah discussed life on the road, significance of keys, legalization of same-sex marriage and much more.
Your bio suggests it was tough finding females that fit the mold. Can you elaborate on that and how Conquer Divide came to be?
Kristen and I met nearly 10 years ago through the Detroit music scene and played in a previous band together. She hit me up a few years ago and pitched the idea of getting a new band together. She sent me some ideas and I was immediately interested, but we knew we needed other members. Some people assume we were a group manufactured from a record label, but that’s not the case. We looked for potential band mates locally in Detroit, but had a rough time finding females that were dedicated and interested in playing our style of music. For example, we had auditioned some great singers that weren’t into screaming during our aggressive breakdown parts. We put out several ads on Reverbnation, Craigslist and Facebook trying to find the right fits. Some people contacted us and didn’t show enough initiative, but others, even Izzy [from the United Kingdom] thought we were a flat out scam … We eventually gained people’s trust and proved we were real through Skype and recruited Tamara and Izzy through YouTube. We found Janel in Austin, Texas. Her vocal range as a screamer and presence as a frontwoman has taken us over the top. We got so lucky to find her the way we did and just a week before we went in the studio to record our debut album!
What are some of the biggest challenges you’ve faced as a band thus far?
The physical distance between band members is tough. Izzy is allowed to work for us on an entertainment visa from the U.K., Janel lives in Austin and Tamara resides in Sacramento. Since we all live in different states, we have to consistently practice on our own to stay fresh.
We’re afraid we’ll be judged based on our look or the fact that we’re all females, but we want to prove people wrong and challenge people to come to our shows to see for themselves. Everyone buys into the notion of being famous and making money, but we want to inspire younger generations just as we were.
How are you preparing for upcoming the 2015 All Stars Tour?
Once everyone arrives to Detroit, we’ll literally be rehearsing every day to make sure we’re airtight. We’ve been learning from our experiences of the recent full U.S. Confessions tour with Alesana and are currently entering a summer tour with far more bands on each bill without a tour manager, so we have to cut our set length and be extremely punctual about every aspect. We now rehearse as if we’re on stage; we set up, play and then breakdown with allotted set times in mind. This tour will be a good test because we get experience under our belts and help prepare us for what comes next by hardening our skin. We’ve learned to better anticipate the unforeseen issues that can happen on the road like having vehicle mechanical issues or getting ripped off.
Who would be on your “dream” tour?
As far as bands similar to our genre, I’d have to say Killswitch Engage and Parkway Drive.
We appreciate a lot of different styles and people probably assume we just listen to metalcore, but Kiarely would probably say Miley Cyrus because she seems like a fun person to tour with and is such a great performer.
How did your relationship with Artery Recordings come about?
Eric Rushing [label CEO] reached out to us initially. We had a few labels that were interested, but Artery is an incredible, fun and hardworking team. We were nervous meeting them at SXSW, but they proved to be all super chill cool guys. We ask a lot of questions and they’re always super helpful, cordial and communicate very well. They don’t back us in a corner or push us into things. We don’t want to be known as just the six-piece, all-female metalcore band and felt like other labels might try to narrowly market us that way.
What can listeners expect from your forthcoming debut album?
Fans can expect diversity from song to song. The album is metal-based, but a few songs are very melodic and have no screaming at all. We were so excited to have Joey Sturgis [Of Mice and Men, Asking Alexandria] produce our record. Joey worked really hard and pushed us to be better along the way. His structures, dynamics and the way he can put electronics in a song is amazing to us. The hope is that the listening experience will be fun for people and that everyone can relate to our music. My ultimate goal is to be driving by someone who is listening to our album in his or her car.
Your album pre-order comes with a skeleton key. Is there any significance to that?
I love keys. I have a collection of keys and have a tattoo of a key. When I was younger I watched and read The Secret Garden and always wanted to find a key to a secret place. There is a key in all of us to unlock our potential as musicians.
Today, the Supreme Court ruled to legalize same-sex marriage? Where do you stand on the issue?
I think it’s a sigh of relief. Life should be about love. I have relatives and friends that are homosexuals. It should have been legal a long time ago. I feel marijuana should be legalized as well. I don’t smoke marijuana, but there are so many benefits involved, like CBD’s eliminating cancer cells for instance. People don’t take the time to get educated on certain topics; they only choose to blindly criticize things. I just hope that this ruling makes people happy because this country needs a boost in morale.
See Conquer Divide on July 22, 2015, at Ace of Spades as part of the All Stars Tour, which features Upon a Burning Body, Dance Gavin Dance, A Skylit Drive and many others. Tickets are $20 for this all-ages, all-day show that gets underway at 2 p.m. For more info, go to Aceofspadessac.com.
In a year full of ups and downs for Sacramento music venues, one iconic local club is about to get some proud new owners. Submerge has received word that Eric Rushing and Bret Bair (of the popular downtown venues Ace of Spades and Goldfield) are set to take over The Boardwalk, a legendary all-ages music club on Greenback Lane in Orangevale that has hosted some of the biggest names in the industry as well as countless locals since it opened in 1987. Local scene aficionados will know that Rushing has a long history with The Boardwalk. He steadily promoted shows there for 10 years (from 2001 to 2011) before opening Ace of Spades and later Assembly, which recently closed. Rushing granted us a rare interview to talk about his natural progression to taking over The Boardwalk, the future of the venue and what sort of local bands he’s looking for. Check out their new website for show listings and more information: Theboardwalkpresents.com
We’ve known ever since you guys decided to vacate Assembly that you’d be looking for another smaller size venue to complement the larger Ace of Spades. So our first question is simple: Why the Boardwalk?
It was a no-brainer for me because of my history there; however, we were really hoping to do something downtown to complement Ace and fill the void of Assembly going away. Even though The Boardwalk is located 20 to 30 minutes outside of the downtown area I still feel it’s in a great suburban area surrounded by a ton of high schools and endless potential. I’m actually really excited to do this again and already have some great shows in place for 2015.
Do you think it will be a challenge to sort of bring back the “glory days” when The Boardwalk was like the place for live music? Lately at least, it seems like a lot of Sacramento’s entertainment options have been focused on the grid. What does it take to get people to shows all the way out at The Boardwalk?
Definitely have our work cut out for us but we have a ton of great ideas to really put this place back on the map. There are a lot more people living in the grid these days, but a majority of the people are still coming from the ‘burbs anyway, so I’m not so worried about people not driving from downtown. We will make sure to put some shows in there that will get them out of the grid!
Same deal as usual as far as the live music program goes? A mix of national acts and local acts, right?
Correct. Same format I have used for years and same format we use at Ace.
At one point when we were last talking, you mentioned if this deal went through, you’d be possibly doing some renovations to the place. What sort of changes will people be able to notice at The Boardwalk right away, as well as in the distant future?
I can’t give away our secrets just yet, but it’s going to have a really cool vibe!
What will it take for local bands reading this to get a gig at The Boardwalk? What are you looking for in performers as far as sound, promotion, etc.?
Talented bands that actually get a crowd out to see them. It’s pretty simple, you just need to do the work and create a following. We are already booking shows for next year. Email us at Boardwalkpresents@gmail.com.
There has been a lot of commotion lately in the local scene with all of the venue closures. In your opinion, what does the state of Sacramento’s music scene look like to you right now?
There definitely needs to be more attention on the local music scene and the venues local bands can play. We’ll be giving a lot of them their shot here at The Boardwalk. Sacramento has always had a great scene. It just needs to be rebuilt, which we will be working on!
Another one bites the dust.
We hate to say it, but in case you haven’t already heard, the short-lived Midtown music venue Witch Room is set to close its doors for good at the end of December. If you’re keeping track (we sure are!) this is the fourth Sacramento venue to shut down in the last year. First Luigi’s Slice and Fungarden, then Marilyn’s on K, then Assembly Music Hall, now Witch Room. In a statement released by Witch Room co-founder Olivia Coelho, she said, “The simple fact is that we were not able to sustain enough revenue to cover our expenses and provide compensation to the founders that was sufficient to justify our efforts.” She went on to point out that they knew what they were doing (read: “fostering creativity”) was risky and difficult, but that they wanted to give it a good 10-month shot to see what happened. She also pointed out that she and Witch Room’s co-founders all “expect to maintain our intense interest in the cultural life of this city that we love, and hope to contribute to it in the future.”
It was rumored that Eric Rushing and Bret Bair, owners of Ace of Spades and Goldfield, had shown interest in purchasing Witch Room and keeping it a live music venue, but when we hit them up Rushing told us that they “walked away from the deal.” (More on Rushing and Bair’s attempts to purchase a new venue will be in our next issue!)
While we are incredibly sad to see Witch Room close (we’ve been to more than a few awesome shows there this year and have done quite a bit of editorial coverage on artists performing there), we are also excited to see that they will be going out in style with a super-rad two-day local music free-for-all (literally, it’s free) called “Sac Go Home Fest” on Saturday, Dec. 27, 2014 and Sunday, Dec. 28, 2014. Organizer Drew Walker (also Witch Room’s beloved sound guy and talented local musician) told Submerge that Sac Go Home Fest is “purely for the community,” and that “it’s gonna be all locals who were down to play for free to celebrate the place!” As of press time Walker had confirmed 20-plus solid locals for the weekend-long shindig. On Saturday, you’ve got bands such as Pregnant, Lite Brite, PETS, Removed, Carson McWhirter/Nick Reinhart Duo, Cove, Honyock, Musical Charis and a couple others. On Sunday, Walker has lined up Doofy Doo (his own project), along with Fine Steps, Appetite, Dad?, Dog Party, The Kelps, Squidz, an open jam with Instagon and much more. “Come help the WR staff, friends, fans and haters celebrate both the life and death of Sac’s coolest shortest lived venue,” Walker wrote on the event’s Facebook page. “Buy all of our beer and make us an offer on the refrigerators too. And then, Sacramento, go home.”
Set in the building that used to house Hamburger Patties at the corner of 17th and J streets, Goldfield Trading Post, Midtown Sacramento’s newest country/rock bar and music venue, is scheduled to host their grand opening the weekend of Aug. 1 and 2, 2014. The building, which has quite a bit of history behind it, is no stranger to live music. A long time ago it used to be Sam’s Hof Brau, a restaurant and bar by day that hosted live blues bands at night. Now in its newest incarnation, Goldfield will be opened and operated by a tried-and-true local team of business owners including Eric Rushing and Bret Bair from two of Sacto’s most successful music venues (Ace of Spades and Assembly), as well as Tyler and Melissa Williams of the popular Midtown barbecue joint Tank House. If there was ever a team that could transform that old funky space into a new successful venue/restaurant/bar, it’s definitely this group! On Friday, Aug. 1, 2014, Goldfield will host a live performance by Joey Hyde (this is a Jon Pardi afterparty, who is playing Ace that same night) and on Saturday, Aug. 2, 2014 they will have Deejay Silver (this one will be a Brad Paisley afterparty, who is playing Sleep Train Amphitheatre earlier that night). Both those shows are free, 21-and-over and get underway at 10 p.m. After those big parties on the grand opening weekend, you can look forward to regular happenings at Goldfield like their open mic nights on Mondays hosted by James Cavern, free line dancing lessons on Tuesdays hosted by Sarah Stokes, beer pong tourneys on Wednesdays and live country band karaoke on Thursdays. Welcome to the hood, Goldfield. We can’t wait to belly up to your bar! To learn more, visit Goldfieldtradingpost.com or Facebook.com/goldfieldtradingpost
A Lot Like Birds Vocalist Kurt Travis Uses His Brief Downtime to Record Solo Album
The life of a touring musician can be grueling. You write and write and write some more, then you record an album and get it mixed, mastered and pressed. After all that, if you have any money left, you release said album and if all goes well and all your ducks are in a row, the next logical step is to leave normal life behind and hop in the van (or if you’re lucky, a bus or motorhome) and tour the shit out of the album. It’s a process that’s not cheap and not easy.
Kurt Travis, co-vocalist of Sacramento-based post-hardcore outfit A Lot Like Birds (and former co-vocalist of fellow Sacramento-based band Dance Gavin Dance) knows the drill all too well. “A Lot Like Birds doesn’t give me a lot of downtime, but when they do, I’m kind of thankful for it because then I can go forward with some solo stuff,” Travis recently told Submerge during an interview in his new downtown Sacramento loft. “ALLB was going to do this European tour and it ended up falling through. Immediately I was like, OK, I have this amount of time, lets bang out a record and lets go out on tour and sell it.”
Travis enlisted the help of longtime friend and former bandmate Zachary Garren (they played in DGD together years ago). Garren, who now plays in the instrumental band Strawberry Girls and lives in Salinas, Calif., would come up to Sacramento for a few days at a time and the two would write songs and work on the album’s pre-production. They were also sending song ideas back and forth even when not in the same town. Before they knew it, they were sitting on a full-length’s worth of solid material, had a label ready to release it (Blue Swan Records, a new label that is run by Dance Gavin Dance’s Will Swan) and a full-on tour booked to support the record, which will be titled Everything Is Beautiful and will be released sometime later in May.
As of press time, Travis and Garren had only released one song off of Everything Is Beautiful, a pop-y, upbeat ditty called “Brain Lord.” At last check, it had 16,031 views on YouTube after only being uploaded a week prior. With no plans to release any other material from the album before its full release, Submerge was lucky enough to get a private listening party where Garren and Travis allowed us to hear rough, unmixed, unmastered versions of seven of the 12 songs that will appear on the album. What we heard was not some half-assed solo effort from a lead singer who just wants to put something out for the fuck of it. What we heard was a focused, mature, surprisingly pop-friendly album that touches on surf-rock with lo-fi garage vibes, glittering and noodly lead guitar lines, lush layers of vocal harmonies with sprinkles of synth-y goodness. It’s light and accessible (we only heard one part with aggressive vocals, and it was more of a shout than a scream) without being overly cheesy. It’s an artsy pop album, if you will, and it’ll more than likely have you moving and grooving.
Check out an excerpt of our conversation and mark your calendars for Kurt Travis’ tour kick-off show at Luigi’s on Wednesday, May 14, 2014.
EDITOR’S UPDATE: As of May 13, 2014, Kurt Travis’ Everything Is Beautiful was available for streaming here.
Tell me a little bit about the album title, Everything Is Beautiful. What’s the reasoning or motivation behind calling it that?
Kurt Travis: With every release I kind of have a theme, because it’s fun. It’s fun to have a certain message. My first [album theme] being this little girl I knew, she was just learning how to speak, and I related to her because it was kind of like my first solo effort and the songs were very primitive. So it just kind of had this theme, that’s why I called it Wha Happen. She kept asking me that. For this [album theme], I’ve been under this impression lately. I’m very happy. I’m very creative. I’m doing really, really good. I’m having an amazing time with A Lot Like Birds and I’m having an amazing time writing my own stuff with Zach. The theme is Everything Is Beautiful because, well, it is. Just appreciating things that aren’t necessarily beautiful, but you watch them, and they change and your perspective on them becomes different. Kind of that sort of thing like, what is beauty, or what is art? I could get really crazy on you. We could talk about what is beauty and what isn’t beauty, but it would be wrong. Everything is beauty.
Would you say this is the most pop friendly thing you’ve ever done?
Zachary Garren: It’s definitely the poppiest.
KT: It’s the poppiest freaking thing I’ve ever done in my whole life, and you know what’s really weird is I was really trying not to. With this record I was trying to go for that like new wave sound…and it came out super pop-y and funky and groovy.
How does your approach to writing lyrics for your solo material differ from when you’re writing with A Lot Like Birds?
KT: They’re very, very different. Nowadays I’ve been writing very conceptually, not as song-to-song-to-song. But kind of an atmosphere or a story within that song, and kind of vicariously really, which is weird, because that’s something that I really don’t do. I usually write from life and sorrow and just, you know, therapeutically healing myself. I don’t really do that anymore. I guess I don’t really have the need to. I don’t have to be extremely worried about what’s going to happen next. That’s totally kept me up at night in younger years when it comes to music.
Your work with your other bands no doubt keeps you guys busy: Constant touring, writing, recording, doing press, etc. Why not just use your down time to relax? What is it that drives you to want to create music even during your little bit of time off?
KT: I think Zach and I will totally say the same thing. It almost feels the opposite, you know what I mean? If you’re constantly creating and you’re doing different genres and such, I feel like sometimes the more opposite the genre, the more I’m just secretly influenced by it because it’s completely different.
ZG: I just like to create a lot. Some days I’ll do way more than other days…
KT: When I tell him to write a song, he’s got like six the next day. By the time I’m done listening to those, he’s got two more. And then when we get to the studio he’s like, oh man, I got to relearn these. It’s like that show Heroes where the guy blacks out and just does some amazing shit.
ZG: Being a musician is different than working a 9-to-5 sort of job. It’s not easy, but it’s different. It’s still fun to a degree.
KT: Even if I didn’t write a record this last month and immediately go back out on tour, I probably would have worked an odd job for a month and did it that way. But instead, I made a record, and I invested money in the T-shirts I’m going to sell on tour, stuff like that.
So in a way, it’s kind of like an “in between job” that just happened to be creating a record?
KT: Exactly. When Joe [Arrington, drummer for ALLB and who also plays on Everything Is Beautiful] is home, he plays with like four different cover bands and makes way more money… I guess there is this mentality of like, work your fucking ass off, because we are privileged enough to be able to play music.
ZG: Creating music in a way is also kind of downtime. If you’re a musician, what do you do in your downtime from your job? You’re probably doing music. We’re just kind of having extra fun. We do it because we like it and want to try to keep getting better and hopefully making better stuff than we have in the past.
KT: The more you make music and go out on tour, the more you’re going to gain fans. At this point, I’ve been doing it for almost 10 years, I might as well just keep on. Kids still appreciate it and still buy the previous stuff and the new stuff. They’re still buying it, so…
ZG: It’s cool to switch it up, too, because this new album isn’t like anything we’ve done in a long time. It’s the most accessible kind of thing. There’s no screaming so it’s a more mature version of some of our past stuff.
With this album being so much more pop friendly than most of your guys’ past stuff, is it crazy to think that this could very well become the most popular shit you’ve ever done?
KT: It very well could be, although you never know.
ZG: It has the potential, but there are so many little things.
KT: I mean, my manager is Eric Rushing and he’s pretty freaking connected. I did my best. A lot of the times I’ve shown him stuff, and he’s like, “Dude this is fucking incredible, what am I supposed to do with this? This is the best song I could never do anything about.” So this record will definitely be like, “Here you go man, this is probably the most accessible thing you can get out of me, what can we do with it now?” And I think Eric can do a lot.
ZG: And it’s still creative music too, which is cool. This is going to be like our parents’ favorite record.
On the same day that you dropped the first single off your album, Jonny Craig and Tilian Pearson, two other vocalists with past or present DGD ties, also dropped new songs from their new projects. Was that just a big coincidence, or was that meticulously planned out by your management or something like that?
ZG: Not planned at all.
KT: Swear to god. Not planned. We wanted to put it out a couple days earlier, but it didn’t work out. That’s what happens.
Don’t you think in a weird way it might have worked to everyone’s advantage?
KT: Oh we loved it! We milked the shit out of it. It was crazy awesome cross promotion. I talked to Tilian, too. He was totally super happy about it, just like, “Oh my gosh this is going to boost everything!”
One question that I feel a lot of people are curious about is what your relationship is like with all those guys? Jonny, Tilian, all the other DGD guys… I feel like people think there is all this drama. Is there?
KT: No, no. Jonny was at the recent DGD show at Assembly, and I was at that show with Zach. I see Jonny at Ace or Assembly or whatever. I talked to Tilian after the show, shit like that, we were all talking and hanging out after the show. Everybody is just doing their thing. There’s a lot of shit you can check out from all of us, there’s just a big resume from all of us, and that’s really cool.
See Kurt Travis, Zachary Garren and their newly formed backing band play songs off of Everything Is Beautiful at one of the few remaining shows at Luigi’s on Wednesday, May 14, 2014. Also performing will be Hotel Books and So Much Light. Show starts at 7 p.m. and all ages are welcome.
