Tag Archives: MarKnoxx

Homegrown Talent

Urban artist Lady Remedy gets ready for her big debut

Wearing sweet kicks, acid-wash skinnies, sports memorabilia and shades, Lady Remedy walks up to Kasbah Lounge on J Street like she’s done it a million times. Midtown is her neighborhood, Sacramento is her home. And now that this smooth-talking wordsmith/producer has turned her sights to singing and MCing full time, she says she’s ready to go beyond her streets.

Before Lady Remedy, there was Tori Redd. Redd wrote, produced and hung out quietly around the Sacramento hip-hop scene in which she grew up. She loved the music but didn’t really want the attention.

Fast-forward a few years and the spotlight’s just the beginning.

Remedy’s first EP, Freak, with eight songs–including her single “The Way U Do” out now–releases digitally July 26. [Submerge has received word that this release date has been pushed back. Check http://www.ladyremedy.com/ for up-to-date info on the album’s release.] A 13-track mix tape, The Steez-Tape, is already available online and also showcases Remedy’s producing skills. She’ll follow those up with an 18-track reloaded version of her EP, more music videos and at least four other projects, including an all-female MC compilation called Venus x Bars and her label Block Starz Music’s compilation album, of which a few more installments are in the works.

And of course, the touring to promote all this music starts soon, with an official kick-off lined up during San Diego Pride Week, July 21, 2012.

Before recording, Remedy spent the last two years highlighting what she could do on stage, in person. Now she wants to see what the world thinks of her music.

“Since I’ve been performing out as an artist, I haven’t been putting out music, which is good too, but I don’t think people have a complete perception of what I do and who I am so the music is important to me,” she says. “This will show my position as an artist.”

Remedy’s catchy, throwback style falls into the realm of singers like Brandy and Queen Latifah, as well as rappers like the late Notorious B.I.G. and one of Remedy’s influences, Jean Grae. Remedy is hip-hop, but more.

“I am very much an urban music enthusiast,” she says, pulling up to her hookah at Kasbah Wednesday night. “It’s kind of watered down now because everybody feels like in order to be mainstream you can’t really do urban but mainstream is urban to me. It’s kids and people who are living life in the streets, or living life just out in the world; that’s urban. Those who say urban is just hip-hop, that’s not true. It’s real music.”

Remedy is a lyricist first and foremost, but she says she also wants to show her balance of singing and emceeing, and be the best at both.

“I try not to get boxed in but it’s hard,” she says. “People always ask, ‘Do you like to sing more or rap more?’ It’s fun to do both. When I sing it’s like a different part of me. I can be sweet, soft, sensual, whatever. Soulful and very emotional. Same with MCing, I can talk about subjects that can draw emotion, and just be transparent. Emceeing is a little bit more exciting because it’s more in your face, parental advisory, ha ha, but I don’t like people saying I should be doing one more than the other.”

What listeners may not know is that Remedy started out in soul, singing backup or producing and writing. She’s transitioned into a performer easily because of her past experiences with Sacramento-based R&B/soul artists like Marknoxx, her music partner, and brings the neo-soul, new age vibe she started with to her music now.

“I was always working, producing and writing with local artists and working with whoever knew what I did in music,” says Remedy. “The spotlight never appealed to me. I thought, I just want to write songs. But when I stepped out I got a really warm welcome, and it gave me more confidence and made me want to continue on and grow more.”

Working behind the scenes paid off. Local hip-hop musicians Righteous Movement featured Remedy on their tracks and Turf Hop Alliance, a collective started by local MCs Remedy knew well pulled her into the group. Coupled with her musical relationship and vocals with Marknoxx and the Young Legends, Remedy was set.

“So when I started rockin’ I was affiliated with all these artists and so the same audience who saw them saw me,” Remedy says of her first shows. “Being one of the only girls, they were really excited to see another female doing it so it was a good start.”

When Remedy joined Block Starz Music, the label helped her get more viral attention. Block Starz is also releasing her upcoming albums and mix tape, and has included her on available and upcoming compilations and booked her summer tour dates.

Other upcoming projects include a Turf Hop compilation coming out soon for which Remedy shot a video June 24.

“I wasn’t shooting videos before…Lady Remedy, but it’s fun,” she says, noting her brother, Los Angeles-based photographer and creative director Tyren Redd, has shot all of her prior videos. “Especially when you’re getting into singles and songs that mean something and you want to do a whole story and be artistic and creative. It’s cool to put it out and see how people react to it.”

So what’s this 24-year-old music maker doing when she’s not working? For now, she’s getting ready to move to L.A. “to be seen” more and launch her music statewide. Remedy also has multiple other talents, from basketball to graphics, and she weaves the two into her career when possible. The laid-back sneaker-holic also loves to buy more kicks–her single “Sneaker Freak” is the plain truth–and she rides her fixed-gear around Midtown before sitting down to play video games.

Remedy’s relaxed, comfortable attitude reflects in her quick-hitting lyrics that rely on her life experiences and clever pop culture references, but that doesn’t mean she’s not anxious about her big debut.

“The EP release party is July 25 here at Momo Lounge–Oh my gosh,” she stops and laughs. “I’ve never done anything like this. I think every artist is sensitive about their music. They put it out there. Even a mix tape–it’s just a mix tape but it’s the first thing I’m putting out, so it’s like, you know, I just want it to be received well.”

A welcome reception in her hometown might help, partly because, Remedy says, the talent in Sacramento goes largely unnoticed. If artists like her make it big, she’s hoping more attention will come this way.

“I think it’s a good place to say you’re from, especially with the push that a lot of us are giving right now, we’re reaching masses and that’s bringing attention to Sacramento,” she says. “Eventually everyone [from here] working as hard as they are in music, it’ll turn into something and we can say, ‘I’m from Sacramento,’ and people will be looking for talent in Sacramento. For now, it’s not all the way like that but it’s good we’re going out and bringing attention to where we’re from.“

She continues, “I think Sacramento’s dope. People don’t know. Even for the other genres. Alternative bands, rock bands, we got great hip-hop acts, we got amazing singers, there’s so much talent here, people just don’t know.”

With all that’s in store in the coming months, Remedy says she’s excited about reaching out. Some of the shows she has lined up will be in Sacramento, but she is very focused on the whole state.

“But like I said, I’m from here, and it’s important to get the support of Sacramento,” she says. “I’m excited about reaching out. Reaching back actually. My region, my area, my city.”

Lady Remedy will celebrate the release of her new single “Give It To Um” on July 25, 2012 at Momo Lounge. The show gets underway at 10 p.m. and is presented in conjunction with L!FE. She will also have a show at Shenanigans on Aug. 4. To hear Lady Remedy and get the latest info about release dates and the tour, visit http://www.ladyremedy.com/.

Musiq Soulchild: Sept. 20

Crest Theatre, Sacramento
Sept. 20, 2008

Arriving 30 minutes before the show started, I was surprised to see almost every seat in the Crest Theatre taken. I love Musiq Soulchild, but almost every time I dropped his name to someone, they’d never heard of the R&B singing soul man. So, you can imagine me entering the splendor of color and contour of the mid-sized Crest and seeing so many people.

Hometown guy MarKnoxx kicked, or rather danced (like Usher), things off at 8:30 p.m. Mr. Knoxx seemed to have a fan base who were not dissatisfied with the amount of clothes he lost as his set went on. His songs were heartfelt and backed up by two singers, guitar, bass, pianos, trumpet and a bangin’ drummer that a local fan told me was only 16 years old.

The folks at Conscious Vibes Productions made sure to raise anticipation of Musiq’s performance with an intermission that felt like 45 minutes. But in that time, I got to learn why everyone at this concert was eating popcorn (I’ve never before seen anyone eat popcorn at an enclosed concert) when my boyfriend returned holding a large cup of popcorn saying, “This popcorn was only a dollar!” Of course.

Then, the lights dimmed and on came the back-up singers, drummer and guitarists to start it all off. But when Musiq himself, standing all of about 5-foot-6 and looking urban-immaculate in pants, vest, tie, button-up shirt, aviators and well-groomed fro-hawk, fans (myself included) rushed down toward the stage. Musiq Soulchild played all the of fan favorites including “Buddy,” “Just Friends,” “Teach Me,” “Betterman” and “Time” while bouncing from side to side onstage. During a wardrobe change, two talented back-up singers enthralled the audience. Specifically, a lovely lady and true songbird named James Madison caught my attention with her chirping-ly elegant and soulful voice. When the Musiq man returned he sang his new hip-hop single “Radio” for the Sacramentan crowd.

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The show was overall entertaining, but the sound quality was disappointing. For whatever reason, the back-up singers and instruments drowned Musiq’s vocals. To add to all that, there was some scraggly sweaty girl with a bad weave in a pink top who insisted on singing along to every song; which wouldn’t be so bad except she sang so loudly and at so high a pitch that if you were in the front, you couldn’t hear Musiq Soulchild. It was so bad that the back-up singers even noticed and kept shooting the scraggly girl warning looks. I really wanted to throw something at her, or at least tell her that I paid $40 to hear the guy on the stage sing and not her.

But, Musiq Soulchild still had that R&B je ne sais quoi and musical mystique up until he abruptly ended his set and bid Sacramento fans farewell.