Sacramento funnyman Keith Lowell Jensen is set to release his newest comedy album on Feb. 19, 2013 on Stand Up! Records and even the title of the album is hilarious: Elf Orgy. We’re not going to try and explain why it’s named that, you’ll just have to listen for yourself and find out, let’s just say it’s a funny (and somewhat disturbing) story that involves Keith as a child masturbating to a comic book scene of, you guessed it, an elf orgy. OK, we basically just told you. Still, listen to this album! It’s fantastic! Plenty of Sacramento-area jokes, too (sorry “Murder Park,” I mean, Oak Park). You’ll be able to find the album on iTunes and Amazon but make sure you mark your calendar for Sunday, Feb. 24, 2013 when Jensen will headline a killer show at Punch Line (2100 Arden Way, Sacramento) as his official CD release show. Doors open at 7 p.m. and the cover is $15, 18-and-over only. Learn more about Keith Lowell Jensen at his website, Rockass.net.
In 2005, Crall created a comedy club that was easily available and affordable for comics in training and audience members. “We decided from early on that we are going to be different from any other club and we are going to be accessible for people,” Crall said over the phone. “They don’t have to spend a lot of money and they are going to get a good quality product.”
The Comedy Spot, located in Midtown, is a hot spot for stand-up comedy, sketch comedy and improv, drawing in big crowds. The club is home of the Anti-Cooperation League Comedy Troupe, In Your Facebook (where comics poke fun at your profile), The Syndicate (a sketch comedy team), Lady Business (an all-women improv team) and a Top 10 podcast who will all be performing at the festival.
“People come from out of town and they love our stage,” Crall explained. “They always compliment us on our professionalism and the quality of the local comedy groups, especially ones that the Comedy Spot produces.”
After more than seven years of running the Comedy Spot, Crall decided to create a comedy festival that can call Sacramento home. One way that Crall is spreading the comedy love is by inviting comics from all across the country to see what Sacramento has to offer.
“If we are going to make Sacramento a destination, we have to have a reason for people to come here in the first place, and people love performing in festivals,” Crall said. “We have people coming to Sacramento to see what we do, then they will start spreading the word and let people know that we have a great scene and that this is the place to do good comedy.”
Nick Pettigrew
Not only does the Festival draw comics and audience members to the Capital City for comedy but it’s a great way to put a spotlight on talented local comedians. A few of the performing local acts include Keith Lowell Jensen, Ngaio Bealum, Michael O’Connell, John Ross, Queenie TT, Carlos Rodriguez, Chazz Hawkins, Kristen Frisk and the improv group Mayhem from ComedySportz.
One of the local talents to be featured in the festival is Nick Pettigrew, the co-producer of Critical Hit, a geek-centric comedy variety show that was created at the Comedy Spot.
“I’ve been a geek my whole life and I love doing comedy, but it was hard doing geek-orientated stand-up but not finding an audience for it,” said Pettigrew over the phone. “So I wanted to create a show where I can make my own audience.”
Another great local to be showcased is Cheryl the Soccer Mom, whose style of comedy does not seem to match her innocent name. A few years ago, Cheryl was a legitimate soccer mom who would drop off the kids at practice and lived in the suburbs. But at a comedy club Cheryl has a hilarious and sometimes dirty stand-up routine.
Cheryl the Soccer Mom
“It depends on the audience. If it’s that kind of show, I can totally go there,” she said. “Not always but pretty often.”
Even though her soccer mom days are nearly over because her oldest child is leaving for college soon, her comedy career is quickly taking off. She has recently filmed a show for Nickelodeon and has been invited to participate in the World Series of Comedy in Las Vegas. Without the support of local Sacramento comics, getting started in the comedy world would have been tough, she said.
“When I started out all of the Sacramento comics were so helpful and so welcoming. I can’t imagine getting a better start in any other city,” she said. “There’s the typical [comedy] politics that you find anywhere but overall the support for new comics is really strong and support for each other, we’re happy for each other’s success.”
The Sacramento Comedy Festival is not holding back support for the out-of-town comedians. Multiple comedians have been invited to perform in the 25-show festival by Crall himself. A few of the traveling comics (improv and stand-up) include Joe Klocek from the Bay Area; Matt Gubser and Priya Prasad from Oakland;Â Andrew Holmgren from San Francisco; 70-year-old comedian Sandra Risser from Concord, Calif.; and Brent Gill from Denver. Former Comedy Spot cast member Jeff Sloniker will also be performing at the festivities.
Leeman Parker, Sacramento native and member of improv group Bro Squad 5 from Hollywood, Calif., performed at the comedy festival last year and anticipates the upcoming shows. “The place was packed, and it was a really cool atmosphere to do a show,” said Parker about the Comedy Festival last year.
Kurt Weitzmann
A first time performer in the festival but veteran stand-up comic, Kurt Weitzmann, who has been seen on Comedy Central, MTV and multiple comedy stages in San Francisco is also scheduled to perform for this year’s fest.
“I’ve always loved the Sacramento comedy scene. I’ve always thought it was really good people that came out of there,” said Weitzmann. “I’m just glad they’re doing it. I think it’s a great idea. I think every city should have a comedy festival. It’s not hard to do, everybody loves comedy.”
Everyone does love comedy, but I’m not sure if putting on a comedy festival is as easy as it sounds. Brian Crall along with the help from Mignon Foster, who is in charge of the logistics of the show, has been planning this festival for over a year. They have been working on making the festival bigger and decided to extend the festival to eight days.
“We just started off very simple last year. We did four days, and we tried to pack in as many things as possible but it was a lot of fun,” Crall explained. “We didn’t do a lot of publicity last year, it was just more of a trial run year…but this year we are going all out.” As soon as the 2011 laughs were over, Crall and Foster got straight to work on an encore. They have created an original logo for the festival, a website and have been screening tapes from comics across the country who wanted to participate. After all of this work, Crall is hoping for a big turnout.
“We want as many people to come out and get a good sampling of what we do, and we have put a festival pass together that allows you to see every show at the comedy festival for $55, when we have 20-plus shows that’s a pretty good deal,” he added.
The Sacramento Comedy Festival will kick off opening night with a ribbon cutting ceremony and music from the local rock group Dog Party. After that for eight days, you watch stand-up comics and improv groups from across the country brave the stage, you can geek out with Nick Pettigrew and listen to Cheryl the Soccer Mom’s MILF joke. With every laugh that comes out of the festival, Brian Crall will be one step closer to making his goal a reality in making Sacramento a destination for comedy.
We don’t have the space to list all the acts who will be performing at the Sacramento Comedy Festival. Good thing for you, ticket prices are affordable enough that we won’t have to. You can go see them for yourselves. The fest runs from Sept. 7 through 15, 2012 and for just $55, you can see every show. Go to http://www.saccomedyfest.com/ for more info and to purchase tickets.
It’s probably trite by now to remind you that fans just don’t consume music the way they used to. That doesn’t necessarily have to be a bad thing. We still enjoy putting on an album and ingesting it en masse, but it’s also fun to put the iTunes on shuffle and let fate decide, troll YouTube for new music videos or share play lists via Spotify. So for this year’s Top 20, we decided to mix things up a bit. Instead of just albums, we included a music video, EPs, live shows (even a comedy album snuck in there). Here’s our favorite music moments of this past year, in tweet-friendly format.
20. Jason Webley (live show)
Beatnik Studios, Sacramento
Oct. 30, 2011
When the man on stage thrusts his torso into a giant red balloon and gets the entire audience drunk enough to link arms and sway, you know it’s a good show.
19. Thee Oh Sees Carrion Crawler/The Dreamer
In The Red
Each song rocks, and it’s short and catchy enough to listen back to back, and back. They have mastered a sound, exemplified here. Loud fun.
18. Keith Lowell Jensen Cats Made of Rabbits
Apprehensive Films
Possibly the local comic’s best work to date, if this album/DVD doesn’t have you rolling on the floor, check your pulse, you might be dead.
17. Mastodon The Hunter
Reprise
Mastodon ditches spacey prog metal for gnarly bruising metal/rock hybrid and makes us wonder why they haven’t tried it sooner.
16. Mike Colossal The Psychodelic Soundsations of Mike Colossal
Glory Hole Records
From dub to dusty breaks Mike earns the name Colossal.
15. Red Fang Murder the Mountains
Relapse Records
Metal heads dose heavy riffs w/ stoner-core harmonies, crushing drums, subtly brilliant solos & bring serious balls back to rock ‘n’ roll.
14. The Generationals (live show) Sophia’s Thai Kitchen, Davis
July 16, 2011
The small porch in Davis provided the perfect environment to fall in love with every up-beat strum from The Generationals.
13. Cousin Fik Hacksaw Ben Thuggin
Sick-Wid-It Records
Hacksaw Ben Thuggin. Period. Fik is a rapper for real. From Halloween concepts, to catchy anthems, his words are precise and full of vigor.
What if that grimy looking guy who just asked you for change really wasn’t homeless at all? What if, at the end of the day, he hops in his BMW and shoots straight out to his home in the burbs, or his vacation home in Tahoe? Is it possible to make more money panhandling than you can by, say, cooking fries at McDonald’s or some other thankless, albeit honest, gig? It’s questions like these that are explored in Sacramento-based comedian Keith Lowell Jensen’s documentary, Why Lie? I Need a Drink, which is due out on DVD next month.
Known locally for his work with the I Can’t Believe It’s Not Comedy sketch troupe and also as part of the Coexist? Comedy Tour, Jensen gets the documentary off to a goofy start as he tries to discover if one can really make a good living from begging. He takes to the streets to get a first-person look at the world of panhandling, and at first his approach flirts with the absurd. He dons a variety of costumes from a banana suit to mime makeup and arms himself with an arsenal of wacky signs–always punctuated with a “God bless”–to see what combination will earn him the most money. The absurdity reaches its peak when a man dressed in swimmies and goggles and wielding a pool noodle chases a banana-clad Jensen around a freeway off-ramp.
In addition to begging the old fashioned way, Jensen also takes panhandling into the cyber age. He sets up a website where people can send him spare change, cold calls people whose numbers he finds on the Internet and even culls Yahoo chat rooms for those who may be sympathetic enough to dig through their pockets.
The humor sweetens what can be a bitter pill. Jensen and company, for all their shenanigans, present a well-rounded view of panhandlers and how we treat our homeless. Interviews with both the beggars and the people they encounter run the gamut of emotions. One young man vents a lot of anger and resentment toward beggars, saying he’d like to spit on them; while another, perhaps of similar age, speaks from his past experiences with life on the street and says that he always tries to give money to those who ask. The film simply presents these arguments without showing its hand one way or the other, and for that, it’s to be commended.
Things seem to hit home for Jensen when he decides to ditch the costumes and go out panhandling in his regular clothes. One scene in which Jensen is begging in front of a post office in Roseville around Christmas time is especially effective. Shot with a hidden camera, a postmaster attempts to chase Jensen from the area while he pleads and protests that he’s got every right to stand there because it’s federal property. Though it’s obvious that Jensen is not destitute, it’s easy to imagine such a scene playing out in any town in America. As it turned out, the spot by the post office was Jensen’s most lucrative location, netting him upwards of $30. Most times out, however, he hardly earned enough to buy a cup of coffee.
Why Lie? I Need a Drink may not be the most hard-hitting examination of homelessness in the United States, but it’s certainly a humane one. It paints an elegant and entertaining portrait of life on the streets, how the homeless are perceived and the murky legality that surrounds panhandling.
The film was shown in theaters around California, including the Crest in Sacramento, and even as far east as Albany, N.Y. On Nov. 4, 2010 the filmmakers will return to their hometown Crest Theatre for the Why Lie? I Need a Drink DVD release party. Admission is $15 and will include a copy of the DVD. Extras on home video release include a neat interview with Jensen conducted by local personality and horror host, Mr. Lobo, as well as a handful of deleted scenes.
To the Moon finds Jensen rocketing his material to new heights, touching upon anything from having a kid to the costumes in porn. Jensen gets introspective too, poking fun at his experience of attending continuation school as well as the constant confusion of whether or not he’s gay. But the most poignant moment on the CD is the closing track, a nine-minute story describing a childhood memory in which Jensen was duped by his older brother first into sitting in a pile of German Shepherd feces and then making his own deposit in a can, all to the dismay and laughter of his mother. What starts off sounding like a poop joke ends up being a window into the early developmental influences of a talented, comedic mind.
Standing at about 6 feet tall, with low maintenance attire and a unique voice that’s been described as “Muppet-like,” Keith Lowell Jensen is a true performer. He got his start in his early 20s when he was put on stage as an MC for the infamous Spike and Mike Festival of Animation, which reached the height of its popularity by showcasing shorts by such industry greats like Bill Plympton, John Kricfalusi, John Lasseter and Nick Park, just to name a handful.
“That to me is when I started doing stand-up.” says Jensen about his beginnings. “I could have said longer, because I was a ventriloquist in the fourth grade.”
From there his love of performing took him in the direction of sketch comedy, which would put his MC personality on the back burner. But for Jensen, being pulled away from stand-up to do sketch was all part of the process to becoming a better comedian. Biographies of other comedians that Jensen grew to love all had one thing in common: some kind of sketch comedy experience. Jensen wanted that experience too. So in 2001, Jensen formed the sketch comedy troupe I Can’t Believe It’s Not Comedy and focused his attention on writing, acting and directing.
“I just fell in love with it,” reminisces Jensen. “And not just performing it but when you write and direct something and someone else performs it; it’s a really satisfying feeling.”
ICBINC has performed all over Sacramento and also found its way up north to Seattle and down south to Los Angeles. The troupe, although currently on hiatus, is still in existence and all but one of the members is part of the original cast.
During the course of performing heavily with ICBINC, Jensen still found time for stand-up when he could.
“I did it once in a while to keep my chops up.” says Jensen.
Jensen made the jump back into stand-up when his friend and fellow comedian Brent Weinbach needed his help with booking a gig. One of the comedians on the bill, Tapan Trivedi, asked Jensen to share the bill with them and he agreed.
“I didn’t know what I wanted to talk about, it had been so long. So I did half the show on homophobia and half the show on religion.”
That night, his atheist comedy was born—and not long after, so was Coexist?. Trivedi and Jensen assembled four other comedians for the tour and what followed were gigs at some of the top comedy clubs on the West Coast including the Hollywood Improv and San Francisco’s Punchline. What also contributed to the success of Jensen’s atheist brand of humor was his use of YouTube as a means to broadcast his stand-up to a larger audience. Fan bases around the world have popped up, especially in Sweden, where his Swedish last name rings bells with the locals.
Since the conception of the Coexist? Comedy Tour, the past two and half years have been a learning process for Jensen, who has been extremely focused on his stand-up, always looking to improve upon his jokes and build upon the foundation that was formed from doing years of sketch.
“Sketch gave me a freedom in stand-up to play characters a little bit more, to change my voice when I’m giving the words of another person or in quotes within a joke. I think sketch certainly helped me with pacing,” he says.
For Jensen, the writing and performing process is ever changing and spontaneous. Some of the material on To the Moon was written the day it was recorded. Depending on how the crowd is that night, Jensen can add or subtract material at a whim.
“It’s just an interesting part of this art form; it’s so fluid and it’s such a back and forth with the audience. There are very few art forms where you put it in front of the audience and you go back and forth and you keep molding it and changing it according to how it sits with them,” says Jensen.
With a tour schedule that has brought him attention outside of Sacramento and the Internet at his disposal for promoting his stand-up, its seems that at this point in his career it would make sense for Keith Lowell Jensen to move to where there’s more work and a bigger market. But making the move to somewhere like Los Angeles just isn’t in the cards. In fact, being from Sacramento is part of his brand, says Jensen.
“It’s an unusual identity to be from somewhere like Sacramento, and to be proud of where you’re from and not feel the need to switch it up and go down to L.A. I don’t want to be an L.A. comic, I’m a Sacramento comic,” says Jensen.
Sacramento is lucky to have Jensen, who is more than qualified to be an ambassador for the River City. He’s practically a household name in the arts community, and for good reason. This past March saw the release of his documentary, Why Lie? I Need a Drink, a hilarious look at panhandling from a homeless and non-homeless perspective. The non-homeless perspective showcased Jensen in various costumes with a multitude of signs bearing clever phrases like, “Large bills OK, can make change.” It premiered at The Crest Theatre and had quite a successful run; look for a DVD release this September. And if a tour, a CD and a documentary weren’t enough, Jensen authored a book titled The Atheist Survival Guide: A Humorous Guide to Getting By in a God Fearing World that is slated for release in November.
Considering the breadth of his undertakings, it may seem like there’s no rest in sight for Jensen. However, he might have to take a break after all with the arrival of another important something—a baby girl due in October. With the success of all his other endeavors, fatherhood should be a walk in the park. Or should I say, a trip to the moon.
What do a Hindu, a Christian, a Muslim, a Buddhist and an Atheist have in common?
Not a whole lot, except that they’re touring as part of the Coexist? comedy tour.
The term “politically correct” is left backstage at a Coexist? show, and each member of the tour is known by his or her respective religion. The members are Tapan Trivedi, the Hindu; John Ross, the Christian; Sammy Obeid, the Buddhist; Tissa Hami, the Muslim; and Keith Lowell Jensen, the Atheist. “I get three names because I don’t have a God,” Jensen says, as seriously as he can manage.
The goal is to take the taboo subject of religious differences and present it in a way that gets people talking about it, replacing fear with a room full of laughter. Says Trivedi, “Once you laugh at something, you acknowledge its existence and deal with it; you cannot deny it anymore. When you laugh at something, it’s like, how heinous can it be?”
They talked it over, and started looking for other comedians in the area who fit the “comedians of a certain religion” bill. In fact, they put out an ad looking for a Muslim comic.
“It was part organic and part seeking people out,” Jensen explains. From there, it was a matter of deciding whether they could get along with this comedian while crammed into a tiny vehicle on long trips between shows. This is not a high-budget tour, and a private jet is not yet a reality. “What are the chances that they’ll give us a flight plan with a Muslim in it?” Trivedi jokes.
They performed for the first time in August 2007 at the Geery Theater in Sacramento, and since then have taken their rare breed of interfaith humor all over California, as well as to Portland and Seattle. They crack up audiences in comedy clubs, theaters, churches, atheist conventions and once even at a “clothing optional” hot spring.
“All ages, all colors, all races of people that have come [to our shows] they all liked it,” Trivedi says.
Jensen adds, “I like for people to understand that with all our high pretensions about it, it’s a comedy show. It’s funny, and no matter who you are you’re gonna laugh.”
Alternating between clubs and theaters, from large cities to tiny towns, can be challenging. The comedians try to tailor their humor to each location, which is why every show begins with a sort of meet-and-greet with the audience. Jensen explains, “We come out together and we say hello”¦and we find out what the audience is made up of. Let me hear from the Atheists; let me hear from the Christians in the audience. Kind of find out what sort of diversity we have in the crowd.” It helps for the audience to see them all together on stage before they start taking jabs at each other’s religions, he says, to let everybody know that they are friends after all.
The show is then passed to host Sammy Obeid, and each comedian takes a turn onstage. The bits really depend on the audience and whether they are performing at a theater or a club.
“Dealing with a theater crowd is like dealing with an old German Shepherd dog,” Trivedi quips. “He sees the mistake that you’re making, but he is kind of OK with it. The comedy club is like a Rottweiler. The moment he sees fear, ahh!”
So, why take on such a difficult topic? Basically, they explain that this is a conversation that just needs to be started. “You’ve got people who have potentially never met a Hindu before, and now they’ve come and they’ve not only met one but they’ve laughed with this person,” Jensen says.
The members of Coexist? are more likely to fight over who is taking too long in the shower than how many gods there are, and are always willing to help each other out with new jokes. Imagine a car ride with five comedians. With notebooks open and laptops out, they’ll work on jokes together for hours.
“What they say is that you can write the novel on your own, but comedy is almost always a team sport,” Trivedi says.
This theme of coexistence is magnified by these five comedians who not only come from different religious backgrounds, but also have extremely diverse comedic styles.
“We don’t get along by ignoring our differences or pretending they’re not there. I see a lot of interfaith entities kind of water down their beliefs to believe that their beliefs are all compatible, and we don’t need that to get along,” Jensen says.
Their upcoming show at the Crest Theatre on Dec. 12 will likely be the apex of this tour, as they’ve been saving the best for last. Trivedi refers to this show as their “swan song.”
Jensen says, “We have jokes that we put aside, but we pull them out for the Crest. So joke thieves, come to The Crest; buy a ticket. If we see Dane Cook in there, we’ll know. This is for you, Dane!”
