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Thursday, The Fall of Troy, The Dear Hunter
Boardwalk “¢ Thursday, Oct. 8, 2009

Words & Photos Russ Wonsley

The Dear Hunter
Looking at the lineup for last Thursday night’s show at Boardwalk, I wasn’t sure what to expect. I had heard of The Dear Hunter from close friends but had never taken the time to listen to them. With such a buzz surrounding them, I was interested to have the opportunity to see them live. When The Dear Hunter had finally finished setting up their equipment, I saw that I was in for a unique performance. Three keyboards littered the stage with dozens of effect pedals covering the floor around them. A tall, bearded man took the main microphone; and from the first note he sang, I knew that this band had a buzz for a reason. There was one point when all the members of The Dear Hunter were harmonizing with each other on stage. It was refreshing to hear vocals done without the aid of a tuning program.


Up next was The Fall of Troy, and their performance was everything I expected it to be. Thomas Erak (lead vocals, guitar) burst onstage with high energy and fast guitar riffs. He jumped up and down the stage and pulled the whole venue into the performance. It was thrilling to see a musician keep riffing while fully engulfed in a crowd of screaming fans. The set list ranged from familiar favorites to songs that had just been released on their newest album, In the Unlikely Event, on Equal Vision Records.

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Then, the New Jersey post-hardcore group Thursday finished off the show with a solid performance. They started off their set with solid songs such as “Division Street” and “For the Workforce, Drowning,” and the crowd echoed Geoff Rickly’s (lead vocals) every word. It was apparent that Thursday still has a strangle hold on post-hardcore fans, even after being involved in the scene since 1997. With complimenting reviews backing up their newly released album Common Existence from Epitaph Records, it looks like we can expect Thursday to keep a strong grasp on the genre for many years to come.

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