Tag Archives: David Hasselhoff

The Man, the Myth, the Hoff

David Hasselhoff comes to Cache Creek to Retro Rock Your Valentine’s Day

Whether you’re a child of the ’70s and ’80s or a ’90s-born Internet troll, you’ve probably grown up with David Hasselhoff. It’s impossible to understate the footprint The Hoff has left on pop culture, not only in America, but worldwide thanks to his iconic starring roles in shows like Knight Rider and Baywatch. However, his notoriety rose to a different level with the growing influence of the Internet on pop culture and the copious memes and viral videos that populated the World Wide Web.

“Everybody knows me. Everybody does,” Hasselhoff says plainly during our interview. And it’s difficult to disprove that statement. Of course, his rampant fame (or infamy as the case may be) hasn’t come without its pitfalls.

“It’s a pretty wild experience going through life,” he says. “It can be a very positive and it can also be very intrusive and very gut-wrenchingly sad when it affects your daughters. It’s a double-edged sword.”

The darker aspects of his personal life have been laid bare for the world to see, but later this year, Hasselhoff and his family hope to set the record straight, so to speak, with an as-yet-untitled reality show on A&E.

“That’s just not who we are,” Hasselhoff says. “This is my chance and our chance to affect what’s going out to the public in a real way. Like my daughter said—they asked her what the show was going to be about with all the press I’ve gotten—and she said, ‘It’s to prove the tabloids wrong, basically.'”

More than that, Hasselhoff says the reality show, which will begin filming this month, will be a vehicle to help launch the singing careers of his two daughters Taylor-Ann, age 19, and Hayley, 17. In the meantime, The Hoff will be working on his own musical career. The Hofftastic World Tour 2010 kicks off Valentine’s Day at Cache Creek Casino Resort. The show is titled “Retro Rocking With the Hoff,” and will feature many of Hasselhoff’s favorite songs—both old and new—as well as surprises for many of his television fans.

He may be best known in the States for his work starring as Michael Knight or Mitch Buchannon, but overseas, his career as a singer is well entrenched. Hasselhoff says that this upcoming tour is something he’s wanted to do in America for a long time.

“It’s going to take a little bit of work to let people know what I do,” he says. “It’s going to be interesting and challenging, but most of all fun.”

In the following interview, Hasselhoff tells Submerge about his forthcoming reality show for A&E, the Valentine’s Day gig at Cache Creek and informs us that those who attend shouldn’t be surprised if they hear The Hoff channeling Karen O in his performance. Hofftastic indeed!

Is this your first major tour of the States?
Yeah, I toured the States years ago with my show to the fairs, and it was funny. They’d say, “David Hasselhoff?!” But by the end of the show they’d be up on their feet and storming the stage. My band, who is all from Canada and used to touring Germany, goes, “It’s so weird to see people mobbing you and mobbing your limousine, and they’re actually speaking English.”

Is it weird for you to play shows here when people aren’t as familiar with you performing music as they are in other parts of the world?
Well, we’ll find out. When I was in Vegas doing The Producers, Mel Brooks and I would go out afterward, we’d always walk by a lounge and they’d be like get up and sing, and he’d say, “Go on! Sing!” and the lounge would be packed all of a sudden. It was amazing, so I said, “I have to put a show together.” I think people are just coming to see the Knight Rider live, and I think if we deliver a good show—and I think we’ll deliver a great show. We’re excited about it. We sunk a lot of time, and blood, sweat and tears, and money and trying to figure out where to go. We put together 22 tracks and threw out 10 of them, so we have the best 12 left. It’s going to be the retro-rocking night with the Hoff that you’re never going to forget. And we’ve also got stuff in there that no one’s ever seen. We’ve got Baywatch outtakes, and I’ve got Knight Rider outtakes that no one’s ever seen, and they’re worth the price of admission if you’re a Knight Rider fan.

You talk about Knight Rider and Baywatch, and I grew up on those shows, so that’s what I’ll always associate you with, but there’s a new generation of people who are familiar with you because of your prominence on the Internet—with viral images and Web sites. When that first start popping up, what was your reaction to that?
I thought it was unbelievable how the whole world could be connected to each other by one word called “The Hoff.” It was unreal. I first got wind of it five years ago, when I came home from shooting a movie, and it was like two in the morning, and all of these fans were making up Hoff jokes—David Hasselhoff jokes—to get me to appear at a concert in Ireland called Oxygen. All these students from the universities up there were writing Hasselhoff jokes—and they were funny”¦ I kind of just went with it. When I was selling my book in Europe, they would turn out in legions, dressed up as David Hasselhoff or Michael Knight or Mitch Buchannon, and they were wearing David Hasselhoff T-shirts, so I took pictures of all the T-shirts, and then came back and called my license guy and said, “Follow all the bootleggers! They’re making all the money!” So we put out a line of shirts.

You definitely seemed to embrace it. You even named your book Don’t Hassle the Hoff“¦
Yeah, wherever I go now, it’s not even David Hasselhoff, it’s just The Hoff. I just think it’s funny. I just laugh and think how did this happen? I know how the whole thing started, too, because it started in Australia from secretaries. It became an Internet fun thing from secretaries sending pictures back and forth. They wrote me, “How do you feel about being a sex symbol at 50?”—that was seven years ago—and I went, “What are you talking about?” They wrote about this viral epidemic of secretaries e-mailing each other in Sydney, Australia. But it’s fine. If you take life seriously, you take life seriously and then it becomes serious. You have a serious life, but you really don’t want to have a serious life, you want to have some fun.

Do you have a favorite? I liked the infini-Hoff the best—it was like a perpetual image of you in the black Speedos.
[Laughs] I saw that! That was pretty funny. My favorite one got a million hits in Australia—it was called “Wax On, Wax Hoff,” where you could actually wax my chest. I found myself playing “Wax On, Wax Hoff,” trying to get the hair off my own body”¦ It’s almost as if I have a little box, and at night I put The Hoff to bed in the box. It’s a character—not created by me, but embraced by me.

I guess there’ll be another version of The Hoff coming up soon. You’re going to star in a reality show on A&E later this year. Was that something you’ve always wanted to do?
I never wanted to do a reality show, but I did something with a DJ in the United Kingdom, who came to live with me for two days, and part of the gag was to critique my daughters and let them know what it would take to make it on the radio in Europe. This gentleman was named Scott Mills, and he brought my record—”Jump in My Car”—to No. 3 and No. 1 in Scotland and Ireland, simply by playing it and believing in David Hasselhoff. I did his radio show several times, and we became friends. He went on a personal quest to get it on the charts, and he did. So, when he called and said he had an idea to come over, and I said if he could highlight my daughters, that would be great, and he did. I knew my daughters wanted to be singers since they were 7 years old, and this was their time, so I said, “OK, we’ve got to do this now.” So I put them in the studio, and they both worked really hard and had extensive vocal training, and we put out this song. It really worked well, and he loved it. I went, “Wow, this could work, but we really need to go to America.” Meanwhile, A&E had been calling me and they wanted to do something, and I kept turning them down. Everyone advised me that getting radio airplay and launching a record is almost impossible these days unless you have access to the media, and I went bing! I do. So I called A&E, and went, “What about The Hoffspring, or Hanging With the Hasselhoffs—something about me and my kids,” and they loved the idea. They came out and visited us and came by America’s Got Talent, and they realized that we were a loving, tight-knit family—not like what you see in the tabloids and all that garbage. It’s really about following my daughters’ music career and trying to help them through all the ups and downs, and see what happens.

You mentioned going into the studio with your daughters. Is that a difficult transition to go from being their dad to taking more of a business role?
I’ve been doing it for years with myself. I have a studio in the back. At first, they kind of—well, not rejected me”¦but I put them in the hands of people who are really professionals at this, and that’s what I’m supposed to do. If they’re recording in my studio, and we want to get something done, I’m absolutely hands-on. I coach them as I was coached, and they love it. They don’t know anything about recording yet, and they’re learning what it takes, but it’s very natural for us. They want me to be there.

The show at Cache Creek is a Valentine’s Day show, and before you mentioned a tribute to the Rat Pack, but what sort of music do you plan on performing?
I’m doing “Since I Fell for You,” “Feeling Good” and “What Kind of Fool Am I” as a tribute to Sammy Davis Jr. I’m doing the rock ‘n’ roll—”Jump in My Car.” I’m doing a tribute to all the guys I like: Kenny Loggins, The Rolling Stones, Mitch Ryder and the Detroit Wheels. I’m doing at tribute to the new stuff I’m listening to a lot, and that’s Enigma, Shiny Toy Guns and the Yeah Yeah Yeahs”¦ I’m just throwing in all the music I like. I’m going to do some of the Broadway songs from the shows I’ve been in.

Since this is going to be in our Valentine’s Day issue, what’s The Hoff’s idea of the perfect Valentine’s Day date?
If you’ve got someone you’re intimate with already, put the flower petals on the bed. Put the chocolate-covered strawberries by the nightstand. Light the candles. Be as romantic as you can and surprise them. It just seems to work every time, and everyone goes away smiling in the end.

Let David Hasselhoff Retro Rock your Valentine’s Day with his performance at Cache Creek on Sunday, Feb. 14. Tickets start at $45 and can be ordered online at Tickets.com or CacheCreek.com; by phone at (800) 225-2277; or in-person at the Cache Creek Casino Resort guest services desk.

David Hasselhoff interview

News: Feb. 9, 2009

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The King of Pop will make his return to the stage for the first time since 2001. Michael Jackson announced an open-ended run of performances commencing at London’s O2 Arena on July 9. Jackson will begin with 10 scheduled performances and continue as long as demand dictates. This unique statement of world domination isn’t the first, however, as promoter AEG Live also did a string of 21 sold-out Prince shows at the same London venue, according to Billboard. Bets are already being placed on whether or not the erratic King will actually show up to the first show.

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The kids in MGMT have balls. The band sacked up and decided to go after the President of France, Nicolas Sarkozy, for copyright infringement. The President’s Union for a Popular Movement party used MGMT’s song “Kids” for their national congress in January and in a couple online videos without permission, according to Pitchfork. The band hired a French lawyer to throw their weight around, but the French party isn’t budging. The UMP admitted their wrongdoing and have graciously offered the band one euro (about $1.25) in “symbolic damages for copyright infringement” says the Agence France Presse. As expected, the band and their reps find the response insulting, thus they will be offering only “freedom fries” on their upcoming tour.

The Fray has announced a headlining tour and will bring out Jack’s Mannequin as support for their summer (mostly) amphitheater tour. The Fray’s latest, self-titled effort managed to actually top Taylor Swift on the Billboard charts in its February debut, selling 179,000 copies. The tour, beginning in June, will also feature female-fronted Vedera on its Sacramento stop, July 31 at Sleep Train Amphitheatre.

The Virgin Megastore franchise continues to close shop around the country. Sacramento was home to one of the 11 Virgin record shops that were open throughout the U.S. in 2007; however, only three will remain after the San Francisco and Times and Union Square stores in New York close by this May. The Sacramento location closed in 2007, managing to outlast Tower Records, which finally closed its doors at the end of 2006. It’s no news CD sales continue to dwindle as record stores become extinct. This leaves me a perfect opportunity to plug the current R5 Records in the old Tower building on Broadway and 16th. Buying CDs is cool.

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The orgasmic Icelanders, Sigur Ros, have signed on to contribute music to a new film, Ondine starring Colin Ferrell. NME reports that Sigur Ros keyboardist Kjartan Sveinsson will score the film directed by Neil Jordan. The band will also contribute a number of tracks to the movie. Ondine tells the tale of an Irish fisherman who discovers a woman in his fishing net who he believes to be a mermaid. I’m hoping for an Irish-indie version of The Life Aquatic meets Little Mermaid.

And in other news”¦ comedian Steve Martin will release The Crow: New Songs for the Five-String Banjo, joining David Hasselhoff, Lindsay Lohan, and most recently Joaquin Phoenix on the list of actors pretending to be musicians.

Butterscotch

Music Breathing With Life

A good friend warned me about using the word unique, because as he said, few things actually are, but Butterscotch’s music warrants such a bold claim. Meshing her classical piano training and angelic voice with a more unconventional method of making music with her mouth, Butterscotch has elevated the art of beatboxing to uncharted levels of musicality. Tactfully integrating the beatbox into more predominant elements of jazz and soul music, she in turn embodies the living spirit of hip-hop. As she said without hesitation, “If you already have hip-hop in your veins, it comes naturally.” Despite her age, the soft spoken 22-year-old Davis native, who last year was a finalist on NBC’s America’s Got Talent, was the international Women’s Beatbox Champion in 2005 and toured the world with Mike Patton as a member of Peeping Tom.

Butterscotch is equally grounded and humble by her talents. Her music defies any one genre, and she remains focused, dedicated and determined as she preps her debut album. Butterscotch welcomes the challenge of changing the face of music.

I know you grew up playing and studying classical music, when did you discover hip-hop?
I grew up listening to it, basically since the day I was born. I was the youngest of five kids, and my brother, he was like my biggest hip-hop influence. He was listening to Public Enemy and N.W.A. I just loved hip-hop. I played piano and guitar, but I didn’t start beatboxing until my senior year of High School. LeeJay—he’s a beatboxer—he was one of my friends and he introduced me to it. I had seen and heard Doug E Fresh and Rahzel, but I didn’t really care to do it until I met him. I picked it up like any another instrument I played. I didn’t take it too seriously, but then in 2005 I got an offer to go to the world championships in Germany and actually won the championship, and it took off from there.

You mentioned you were introduced to beatboxing through a friend, when did the idea come to merge that in with the piano?
It came pretty soon, like right after I started beatboxing. I would just be messing around trying to play the piano and beatbox at the same time, ’cause I thought it would sound cool. I’d seen people beatbox and sing, but I’d never seen anybody beatbox, sing and play the piano, so I started to do that.

So the singing evolved with the piano and beatbox as well?
Yeah, I mean I don’t remember how it all happened. I used to write a lot of songs, but once I found out about beatboxing I got stuck on that and did that for a couple years. I still played piano, and did the whole piano and beatbox thing, but what’s happening now is I’m writing a lot. It’s just a balance trying to sing and play the piano and other instruments as well.

Did you realize when you started blending it all together just how unique it was and that it could turn into something bigger?
At first I was doing what I was doing. I was always experimental with my music, so I didn’t really think anything of it.

To change the pace, you were on the last season of America’s Got Talent. Do you have any good Hasselhoff or Springer stories?
Jerry was really cool; he was a really cool guy. He would always try to beatbox, and he would show me new hip-hop dances he was learning and then ask if he could be one of my backup dancers. We didn’t really have much interaction with the judges, though, just for legal reasons.

Was it weird for you, someone who is performing at such a high level of musicality, to be critiqued by someone like David Hasselhoff?
I mean, they never really said anything that negative to me except that they didn’t like my outfit one time. But I guess the choice of judges was kind of interesting, just based on what they’ve done. It’s entertainment, though, so you know.

That’s probably the best answer you could give right there. Again to shift gears and wrap things up, what is the next step for you and your music?
I’m working on my album right now, and I’m trying to do it independently so I can keep my artistic freedom. Combining everything I know with one product”¦ A lot of albums these days lack concepts so that’s what I’m trying to bring with this. I want to see a change in music and what’s popular because there is a lot of crap out there.

What you’re doing is so different, and a lot of people might not understand it at first. Does that affect how you approach things?
The cool thing about music is that you don’t have to talk; you just have to listen and feel whatever you feel. It’s cool with beatboxing, because I’ve performed to people from 80 to 2. I performed at this Rotary Club a couple months ago and it was the funniest reaction, because people were laughing. It wasn’t like they were laughing at me, they were laughing because I guess they couldn’t believe what they were seeing. I’m fortunate that I’m able to bring it to different ages of people.

Discovering such a broad talent so young and then taking on and reaching such a big group, there must be a lot of pressure.
I mean there are a lot of things I want to do, but it’s just finding the goals; short term goals versus long term goals and then just execute what I want to do and be patient. My mind is filled with a lot of things that I want to do. Of course, there is a lot of pressure, especially after being on national TV and people expecting a lot of things, but I know what I have to do, and there is only one way I’m gonna do it.

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