Tag Archives: Early States

2012 Friday Night Concerts In the Park Lineup Revealed

Submerge has got your first look at the lineup for this year’s Friday Night Concerts in the Park series. The 13-week shindig kicks off on May 4, 2012 at 5 p.m. at Cesar Chavez Park in downtown Sacramento. You can see the entire lineup right here. Major brownie points to anyone who can name all of the artists that have been on the cover of and/or featured in the pages of Submerge (hint: there’s a lot of them).

May 4
Arden Park Roots (reggae/rock)
Island of Black and White (acoustic/blues/reggae/rock)
The Storytellers (roots/reggae/ska)
Shaun Slaughter (indie/electro/pop)

May 11
Middle Class Rut (rock)
Lite Brite (rock)
Horseneck (rock)
DJ Whores (electro/indie/dub step/alt)

May 18
Nickel Slots (alt-country/Americana)
Infamous Swanks (rockabilly)
Blackeyed Dempseys (Irish rock)
DJ Adam J (indie/dance/alt)

May 25
ZuhG (funk/reggae/jam)
Element of Soul (acoustic/jam rock)
Playboy School (electronic indie/pop)
DJ X’GVNR (pop/top 40/electro/dance/dub step/house)

June 1
Oleander (rock)
Allinaday (rock)
Trackfighter (rock)
Verdugo Brothers (house/top 40)

June 8
Mumbo Gumbo (zydeco/roots/dance)
Todd Morgan and the Emblems (blues/rock/jazz)
DJ Mikey Likes It (top 40/‘80s/‘90s/party groove)

June 15
Relic 45 (blues/rock)
Out of Place (acoustic/alternative/rock)
Sexrat (alternative/rock)
Reggie Ginn (pop)
Shaun Slaughter (indie/electro/pop)

June 22
7 Seconds (punk)
Bastards of Young (punk)
City of Vain (punk)
DJ Whores (electro/indie/dub step/alt)

June 29
The Nibblers (funk)
The Coalition (world beat)
Diva Kings (folk/pop rock)
DJ Fedi

July 6
Full Blown Stone (reggae rock)
Dogfood (alternative rock)
Street Urchinz (reggae/rock)
DJ Nate D

July 13
Another Damn Disappointment (ADD) (punk)
Walking Dead (punk)
A Single Second (punk)
The Left Hand (punk)
DJ Blackheart (house/electro/punk/indie)

July 20
Walking Spanish (blues/indie rock)
Jack and White (alternative/pop rock)
Autumn Sky (folk/pop)
CrookOne (soul/pop/hip-hop/Motown/indie)

July 27
The Brodys (pop/rock)
Early States (pop/rock)
Hero’s Last Mission (pop)
Chaotic Fusion (DJ Oasis & !nkDup) (rock/top 40/dance/mash-ups)

As you probably know by now, this year’s lineup was not booked by longtime promoter Jerry Perry, but instead by a committee of local promoters, musicians and music enthusiasts that go by the name Play Big Sacramento. One committee member, Andy Hawk, who works at Entercom radio stations and promotes Wednesday night shows at Powerhouse Pub in Folsom, recently told Submerge of this year’s lineup, “As a committee we worked with venues, clubs, bookers and musicians in an effort to create a lineup of the best Sacramento has to offer. We have 13 weeks of shows filled with the biggest headliners in town, and have added the most talented DJs in Sacramento to play in the beer garden. Friday Night Concerts in the Park this year will truly be the centerpiece of entertainment in Sacramento this summer.”

Get to know the artists performing at our 100th Issue Party

If you’re not familiar with the artists we chose to perform at our 100th Issue Party on Friday, Dec. 16, 2011 at Ace of Spades, first off, where the hell have you been? Living under a rock? Anywho, if you don’t know who they are, see the vitals below and be sure to type the URLs into your fancy little computer devices. Prepare to be inundated with awesome-ness, because, well, we know how to pick ‘em! See you at the show.


SISTER CRAYON

    Home Base: Sacramento, Calif.
    For Fans Of: Down tempo (yet intense) indie rock/trip-hop. Operatic and dramatic female vocals, mixture of live drums and programmed percussion with keys, synths, guitar, the whole nine.
    You Dig? You’ll Dig!: Portishead, The XX, MGMT
    Bragging Rights: Signed to Manimal Vinyl Records, recently toured with The Album Leaf. Has been featured everywhere from Showtime to Nylon magazine.
    Listen/Learn More: Sistercrayon.com, Facebook.com/sistercrayon


TERA MELOS

    Home Base: Sacramento, Calif.
    For Fans Of: Spastic, experimental-rock featuring insane guitar work (two-handed finger tapping, tons of effects pedals, etc.) and non-traditional song structures.
    You Dig? You’ll Dig!: Hella, The Flaming Lips, Don Caballero
    Bragging Rights: Signed to Sargent House, countless U.S. tours, played Forbidden Fruit Fest in Ireland this year with The Flaming Lips and Aphex Twin.
    Listen/Learn More: Teramelosmusic.com, Facebook.com/teramelosmusic


GANGLIANS

    Home Base: Sacramento, Calif.
    For Fans Of: Fun, catch-y, space-y/psychedelic garage-rock.
    You Dig? You’ll Dig!: Thee Oh Sees, Wavves, Beach Boys
    Bragging Rights: Affiliated record labels include Lefse, Woodsist, Captured Tracks and Souterrain Transmissions. Ganglians will be an official showcasing artist at 2012’s SXSW music festival in Austin, Texas.
    Listen/Learn More: Facebook.com/ganglians


ZUHG

    Home Base: Sacramento, Calif.
    For Fans Of: Jam-y funk-rock with reggae roots. Extended jam sessions and dance-offs are common occurrences during ZuhG sets.
    You Dig? You’ll Dig!: Phish, O.A.R., Grateful Dead
    Bragging Rights: They run their own local music/art/clothing store. Countless tours, tons of positive press, multiple SAMMIES awards.
    Listen/Learn More: Zuhgmusic.com


RANDOM ABILADEZE and DJ RATED R

    Home Base: Sacramento, Calif.
    For Fans Of: Intelligent hip-hop rich with satire and dry wit meets real turntablism.
    You Dig? You’ll Dig!: Nas, Talib Kweli, Gang Starr
    Bragging Rights: Winner of numerous spoken-word and rap awards/competitions. Has shared the stage with Nas, Immortal Technique, Tech N9Ne, Zion-I, Living Legends and more.
    Listen/Learn More: Randomab.com, Randomabiladeze.bandcamp.com


EARLY STATES

    Home Base: Sacramento, Calif.
    For Fans Of: Extremely catch-y and well-written pop-rock fit for an arena setting.
    You Dig? You’ll Dig!: Muse, Coldplay, The Killers
    Bragging Rights: Music has been featured in multiple MTV shows/commercials including, The Real World, True Life, Made and Real World Road Rules Challenge to name a few.
    Listen/Learn More: Earlystates.com

Tickets Available @ ZuhG Life Store, Dimple Records, The Beat, Armadillo (Davis)
Online: AceOfSpadesSac.com
By Phone: 1.877.GND.CTRL or 916.443.9202

Arden Park Roots are wrapping up a new EP

Arden Park Roots are wrapping up production on a yet-to-be-titled five-track EP recorded recently in downtown Sacramento at Papa Roach’s Studio. The EP will see a digital-only release and will be a precursor to a full-length album ready later this year or early next year, according to Justin Nordan, who along with Eric Rushing co-manages APR under Artery Foundation Management. Catch Arden Park Roots along with Lonely Kings as they co-headline Ace of Spades’ first annual Second Saturday Rock N’ Style show on June 11, 2011. Opening will be locals Not Your Style (it’s their farewell show), Dogfood, Element of Soul, Early States and DJ Whores. There will be a red carpet with tons of photo ops (you could use a new Facebook profile picture anyway), Rockstar Energy Drink models and more!

No Shelter Here

A Lot Like Birds, Not to Reason Why, Early States, The Dreaded Diamond, Cryptics

Friday, Jan. 21, 2011 – The Refuge – Sacramento

Words by Bobby S. Gulshan – Photo by Cait Loper

The Refuge played host to an eclectic bill of hard-hitting bands from around Northern California. The Cryptics, a three-piece from Santa Cruz, Calif., opened the evening with a set of tunes that combined bite and sweetness. Part power pop, part jagged punk rock, The Cryptics relied on pulsing, driving rhythms and machine gun staccato guitar riffs. As the audience trickled into the space that serves double-duty as a Lutheran Church, the Cryptics took the chance to warm the crowd and prepare them for the night.

The Dreaded Diamond brought an unexpected hint of soul to the evening. The two-piece brother and sister act–featuring Juli Lydell on keys and vocals and Tyler Lydell on drums–combine a heavy percussive attack with melodies that at times soar and at other times lilt with emotional fragility. Despite only featuring two people on stage, there was no lack of presence. Juli’s stage persona is magnified not only by precocious lyrical content, but also her witty engagement with the audience. Songs like “Alphonse Muca” contain enough complexity to run the gamut from indie folk to soulful pop, making you wonder what Natasha Bedingfield might sound like if she had street cred.

Early States brought an air of big stage pomp, featuring a lighting rig and stage smoke that would be appropriate on an arena tour. However, the big-time stage setup was justified by the bright energy the Sacramento three-piece brought to the audience. A faithful cadre of fans crowded the front of the stage and danced to the techno-infused pop and sang along to infectious choruses. Early States sound relates to that of Muse without the paranoia, and in fact presents an epic send-up of an emerging generation flush with optimistic possibility. Fans sang along to “Stop Calling Me Out,” the chorus of which describes defiance in the face of frustration and judgment. The band ended with “Smoke in My Eyes,” a song driven by a jangly guitar riff reminiscent of classic U2 and a perfect coda to an energetic set.

“We’ve been called ‘moody,’” said Not to Reason Why guitarist Ian Simpson. In stark contrast to Early States, Not to Reason Why, a four-piece instrumental group from Petaluma, Calif., enveloped the venue in a sinuous darkness, like objects roughhewn out of obsidian. Combining hauntingly gentle piano melodies and arpeggiated guitar lines, Not to Reason Why lulled the audience into a reflective moment, and then would lambaste them with sonic dirges that would be well suited for the soundtrack to the end of days. The final tune, “Good Afternoon,” began with the bass player picking up a guitar, and the drummer switching to bass, as the band wove a tense lullaby that eventually arrived at epic, post-metal bombast as the drummer returned to his post and stark white light enveloped the stage during a powerfully sludging finale.

A Lot Like Birds closed out the evening with their pummeling brand of hardcore. The screams were accompanied by the melodic wails of Kurt Travis, formerly of Dance Gavin Dance, and the twin vocal attack added depth to the presentation. A Lot Like Birds convulsed with tense energy, attacking with a sonic barrage. Most of the songs they played remain untitled, but what’s vital is the energy. A Lot Like Birds are technically savvy, and some of the tunes proceed with a barely controlled chaos, as if it will fall apart at any moment, only to turn on a dime and crush you with a driving breakdown. These guys can play, and they definitely left a pint of blood up on that stage. The audience was whipped into frenetic frenzy, head banging and writhing to every single break. The final tune, “My Body at War,” drove the crowd into a swirling mosh pit. The pure catharsis of A Lot Like Birds was the perfect exclamation point on an evening of wide ranging sounds.

Early States have an upcoming full-length

Sacramento group Early States used to play what I would loosely call “pop-rock,” but after listening to a handful of songs off their upcoming full-length (which they are currently working on), I would say “electro-pop” is the best way to describe their new sound. There are tons of keys and synth in the new stuff and deep, driving rhythms that are pretty much undeniable. Old fans shouldn’t fret. They still retain plenty of the rockin’ vibe that their last EP Powerlines had; they haven’t abandoned their roots completely. Go check out “Run,” “Torch” and “Outside” to hear for yourself at Facebook.com/earlystates or Myspace.com/earlystates. The group will be releasing three other new songs in the coming weeks, so keep an eye (and ear) out for those. Also, be sure to catch them live at the Boardwalk on Dec. 10, 2010 alongside Amberglance and Wesley Avery. Doors open at 8 p.m. and all ages are welcome.

Love It, Or Hate It!

Natalie Gordon of Agent Ribbons

Natalie Gordon of Agent Ribbons

Valentine’s Day: Love it or hate it?
I love Valentine’s Day because my grandparents send me funny little cards with cartoons on them, and there’s always five bucks inside! I’m glad that some things never change.

What motivates you more to write music: love or hate?
I would say that I’m motivated across the board by love. However, I enjoy writing songs from the perspective of the sad or vengeful lover since it’s easier to be funny or creative with that kind of premise. Most of my songs are dark and kind of twisted, and I find that more entertaining than writing about how in love I am!

Do you have a funny V-Day story?
In high school, I had a boyfriend that made me a silver Green Lantern ring for V-Day. Also, when I was in elementary school, my dad dropped off a bouquet of roses for the school secretary—Ms. Johnson—to deliver to my classroom. She had to interrupt our lesson in order to put it on my desk, and everyone teased me long after. They said that Ms. Johnson and I were in love.

Bryan Nichols of Zuhg

Bryan Nichols of Zuhg

Valentine’s Day: Love it or hate it?
Love it, it’s pretty much a for sure night that you’ll get laid. Or at least eat a bomb dinner somewhere and get drunk!

What motivates you more to write music: love or hate?
For me it’s hard to write a bunch of love songs about the same girl. So, I think it’s easier to write hate-type songs. I try hard to not write songs about girls, though”¦ Everyone does that. The new album only has about three out of 12 songs about the ladies on it.

Kurt Travis of Dance Gavin Dance

Kurt Travis of Dance Gavin Dance

Valentine’s Day: Love it or hate it?
I hate it, because it is a holiday that was made up for corporate BS, to make money. Capitalism sucks.

What motivates you more to write music: love or hate?
Neither, there are way more things in the whole wide world that have way more substance and meaning then love or hate, like trees, flowers, oil and war. And outer space. And war in outer space. Galactic War.

Do you have a funny V-Day story?
Box of chocolates, blah blah blah. Who cares?

MahtieBush

MahtieBush

Valentine’s Day: Love it or hate it?
I guess I like it, wouldn’t say I love it though. I like it ’cause it’s just a cool day to kick it with your girl and any problems or whatever you go through, you forget about them that day and your focus is on the one you’re with.

What motivates you more to write music: love or hate?
Definitely hate. Without hate all you would have is people just happy with the way things are, and that’s not me. I’m not happy with the way some things are, and I’d rather fight for what I believe in.

Do you have a funny V-Day story?
This one time, at band camp”¦

Nate Welch of Bidwell

Nate Welch of Bidwell

Valentine’s Day: Love it or hate it?
I wouldn’t say that I love it, but I definitely don’t hate it. It’s just a good excuse to throw a tie on and act like a baller. Well that is if you have a date of course.

What motivates you more to write music: love or hate?
I’m not a big fan of hate, so I would have to say love. But I probably have written a few songs while I was pissed off so you can call it what you want. Love makes everything better and music is no exception.

Do you have a funny V-Day story?
A few years back neither my friend nor myself had a date for V-Day so we thought we would just hang out. I had the bright idea to go to drive-in movies with him on the most romantic night of the year. So there we where surrounded by a bunch of cars full of guys and girls all trying to get some action. It wasn’t till our windows were fogged up that we realized maybe two straight dudes in a steamy car wasn’t the best way to pick up on chicks that night. Pretty embarrassing. I think we turned a few heads.

Mackenzie Knoester of Aroarah

Mackenzie Knoester of Aroarah

Valentine’s Day: Love it or hate it?
We all agree [the whole band] that it depends: If we are dating it is a great night out, lots of fun. If we are committed, V-Day can be a nice reminder of how much you love your honey or a sick reminder of how corporate America has made love a commodity. If you’re single, usually it is depressing!

What motivates you more to write music: love or hate?
Everything outside the norm! Love can really get some rocking tunes out of us where as depression, hate and fear push for a more relatable song for a fan. More people notice the bad emotions over the good, creating a want to hear that you are not the only one feeling a specific emotion or being in an irregular situation.

Do you have a funny V-Day story?
My senior year, I asked a guy to homecoming and he said yes just to say no two days before the dance. Well, after high school, he and I got together and three years later for V-Day he decorated our garage like our senior homecoming and took me to the dance! We’ve been together for six and a half years now.

Ricky Berger

Ricky Berger

Valentine’s Day: Love it or hate it?
I love any excuse to appreciate people I adore, eat too much sugar and wear red. Those candy hearts with the writing on them are so tasty, especially the purple and white ones! And flowers, you get flowers! I might add, though, that every day should be treated like a truly special occasion and that love should be expressed consistently, not just when Hallmark, See’s Candy and jewelry stores unite to tell us we should.

What motivates you more to write music: love or hate?
Well, I think that hate is maybe just another form of love. Perhaps the truest opposite of love is apathy since one has to actually care about someone else to hate him or her. The human experience in general motivates me to write me music, every loving moment of it.

Do you have a funny V-Day story?
Well oddly enough, the only time I’ve ever had a special someone on Valentine’s Day, we parted ways. My valentines have always been the many loves of my life: My family and circle of friends.

Thaddeus Stoenner of Them Hills

Thaddeus Stoenner of Them Hills

Valentine’s Day: Love it or hate it?
While I definitely don’t have any strong love for the holiday, I do appreciate the irony of it. The fact that a pagan festival celebrating fertility has slowly morphed into one of the most consumer oriented and materialistic holidays under the guise of proving one’s “love” is endlessly hilarious to me. Luckily all the girlfriends I’ve had have been cool enough not to give a damn about chocolates or teddy bears.

What motivates you more to write music: love or hate?
I’m probably guilty of writing a couple hate-based songs back when I played metal. These days I find love to be much more of an inspiration lyrically. I can’t write love songs about boys and girls, but I write about loving dirt and furry creatures and the like. I am also fascinated with the many ways love can manifest, how it can be used to hurt as well as heal, and how something as beautiful as love can be twisted to make people do terrible, horrific things.

Do you have a funny V-Day story?
We had an anti-Valentine’s Day party once. It resulted in several fistfights, random hook-ups, naked dancing to Beyonce, and eventually one of our friends being tied to a chair.
I thought it was funny.

Autumn Sky

Autumn Sky

Valentine’s Day: Love it or hate it?
Love it! But not for the reasons everyone else does, I guess. I think it should be about all sorts of love, so that’s how I look at it. Family, friends, romantic, or even the love we should extend to strangers.

What motivates you more to write music: love or hate?
Most of my songs definitely center on the love of something, whether it’s a person, a thing or just life in general. I’m definitely not a person who can relate to the feeling of hatred. Love is just something I’m more in touch with, and it’s something I’m much more inclined to share.

Do you have a funny V-Day story?
I used to not celebrate it in high school, because I had such hard feelings about the day. I had not had much luck in the guy department up to that point. It was very Meg Ryan of me. I used to just sit in bed with a bag of Pirate’s Booty, watching old movies instead.

Jennifer Valdez of March Into Paris

Jennifer Valdez
of March Into Paris

Valentine’s Day: Love it or hate it?
I love Valentine’s Day because I’m the type of girl that loves to spoil the person I care most about in this world. Plus it’s another reason to go to Victoria’s Secret!

What motivates you more to write music: love or hate?
Mostly hate motivates me more when it comes to writing music. It’s a way for me to get any frustrations or bad memories out of my system and the resolution becomes the song itself.

Do you have a funny V-Day story?
Well it didn’t happen on V-Day, but it is a funny story that has to do with love. In the beginning of our relationship, my boyfriend wanted to make the first time we had sex very special. He planned this romantic night and made me wait in the other room while he set up the bedroom. He had rose petals all over his bed, great contrast to the white comforter of course. This was the first time for both of us having sex on a bed with rose petals, well there were hot candles all around and it was some hot sex. The petals sort of melted. Don’t ask me how! But when we were done we got up and his white comforter and sheets had pink and red all over it and the petals were not so pretty anymore.

Danny Cocke of Owltrain

Danny Cocke of Owltrain

Valentine’s Day: Love it or hate it?
It really takes a lot to inflict such powerful emotions like love and hate for me”¦a lot more than a holiday. But really, hate is a useless emotion anyways, so I try and let go of it as quickly as possible.

What motivates you more to write music: love or hate?
I believe music tells a story, and it transforms experience. Love and hate usually play a role in all our lives, so it will always be reflected in music. I don’t usually find much inspiration in hate and I’d rather ponder on the beautiful things of life.

Do you have a funny V-Day story?
One time I dressed as a giant heart and walked up and down the mall yelling for people to, “Mind the ways of the olden days,” and, “Don’t take your time and life for granted,” and. “Eat fiber,” and, “Squirrels have feelings too.” I guess everyone found all of this extremely offensive, especially on such a sacred and beloved holiday such as Valentine’s Day. The great Richard Valentine himself was stirring in his grave while I was taken out of the mall in handcuffs. And all I really wanted was a date for the night.

Big Chuck of Whiskey Rebels

Big Chuck of Whiskey Rebels

Valentine’s Day: Love it or hate it?
I don’t really care about it; I’ve barely ever paid attention to it. At this point I think it’s just a way for Hallmark and florists to make bank. And chicks dig it. I don’t hate it; it’s just corny!

What motivates you more to write music: love or hate?
Well, they say there’s a thin line between love and hate, and my songs celebrate both with equal enthusiasm. Things I love, things I hate and things I love to hate. Each day is a celebration of life and love it or hate it, you have live it on your own terms. You’ve got to make that hate work for you!

Do you have a funny V-Day story?
I truly have no noteworthy stories! It was cool back in the day though, getting like Smurf and Pac-Man Valentines and eating candy. Good times!

Brooke Sobol of Blame Betty

Brooke Sobol of Blame Betty

Valentine’s Day: Love it or hate it?
Three cheers for Valentine’s Day! How else would we know when to be romantic? Or when to buy flowers or candy? How else would we know when to put on a red dress and go out to dinner? Or when to have sex? Thank God for Valentine’s Day!

What motivates you more to write music: love or hate?
There’s definitely more hate than love in my songs. It’s easy to get all fired up by the bad stuff. Anger! Yeah! And I guess love is just kind of private to me.

Do you have a funny V-Day story?
Years ago, I decided I’d give my boyfriend at the time some photos of me posing in lingerie. I blew up red balloons and taped them to a wall in the shape of a heart. My sister came over and took the pictures with me standing against the wall, inside the heart. Well, they came out really ridiculous! I had bad hair and couldn’t pose provocatively for the life of me. Plus, that was back in the days before digital cameras—when you had to get your film developed. Yikes!
Shawn Peter of A Single Second

Shawn Peter of A Single Second

Valentine’s Day: Love it or hate it?
I love it because it’s all about the love, hate it because I have to be all love-y and stuff and spend a lot of money on flowers, dinner, etc. when I’m always broke. And the corporate BS of Valentine’s Day? Really?

What motivates you more to write music: love or hate?
Love, because music is life. Really without it, what else is there? It’s true expression of what’s inside and no matter what language you sing, speak, yell, scream”¦ you know where the band or artist is coming from.

Zack Gray of Early States

Zack Gray of Early States

Valentine’s Day: Love it or hate it?
I’m not a hater, but I think I lean more towards disliking V-Day. I’m really not a fan of the whole, “card giving” thing. I have received so many cards from people in the past, but I have never been one to return the favor. You can take your girl out any other time of the year. It’s just another holiday that I feel obligated to spend money I don’t have. This V-Day I am playing a show! But don’t get me wrong; I will be spending some time with my girl on the 14th.

What motivates you more to write music: love or hate?
Definitely love. Although a lot of my songs are about the harder and more complicated parts of love. I’m more motivated to write when I’m going through a difficult situation regarding love, rather than when I’m extremely happy.

What motivates you more to write music: love or hate?
Love, because music is life. Really without it, what else is there? It’s true expression of what’s inside and no matter what language you sing, speak, yell, scream”¦ you know where the band or artist is coming from.

A.V. of State Cap

A.V. of State Cap

Valentine’s Day: Love it or hate it?
Hate it when I’m single, hate it even more when I have someone to take out because I’m probably going to be spending hella money to make sure I have a date for next Valentine’s Day just to spend more money. “What you won’t do, do for love”¦”

What motivates you more to write music: love or hate?
An artist’s best work is made when they’re depressed about love, more specifically about not having love. So love and hate pretty much go hand-in-hand when it comes to inspiration.
Do you have a funny V-Day story? Back in elementary school this girl that I was hella diggin’ gave me a Barbie Valentine card with a tip on how to do your own French manicure at home. I was so confused.

Bigsammy

Bigsammy

Valentine’s Day: Love it or hate it?
I love it. It’s the one day of the year when single ladies are going to want to have more fun due to having no boyfriends. Your chances of sexy time are increased on Valentine’s Day.

What motivates you more to write music: love or hate?
Hate, hate, hate. When you got that anger brewing inside of you and you start a song, you’re going to want to spit murder at someone or at something and words seem to fall and go together in a form that I like, so hate on.

Do you have a funny V-Day story?
No, but if you want to make a funny story with me, ladies, you can hit me on our Myspace, and we can make some magic. Or not.

Chelsea Wolfe

Chelsea Wolfe

Valentine’s Day: Love it or hate it?
Valentine’s Day is one of the many holidays I feel really neutral about, along with Independence Day, Halloween (though at least that’s another excuse to wear a costume) and New Year’s Eve. I don’t think I’m above it, like those people who brag about not owning a TV; I just have never had a valentine on Valentine’s Day so I’ve never known the joys of it.
Valentine’s Day is an aisle of cheap candies and stuffed animals in shades of red at Longs that I walk through on my way to buy a bottle of shampoo. This year I’m playing a Valentine’s show at Vox Gallery in West Sac, it’s a benefit for a local art group—yeah! That’s what love is really about.

What motivates you more to write music: love or hate?
Love! I may be moody, but I don’t write songs about hate.

Do you have a funny V-Day story?
Ah I wish! Someone promised me a Valentine surprise this year though so maybe.

Intalect1 of Soulifted

Intalect1 of Soulifted

Valentines Day: Love it or hate it?
I never really thought about it before. I guess I don’t really love it or hate it. It seems to me like it’s just another one of those Hallmark holidays to get you to buy candy and cards for your loved ones. But hey—at least it’s about love.

What motivates you more to write music: love or hate?
Both of them, love and hate, each one has its positives and negatives and both of them have motivated me to write music. I would say I have written more songs about love, but they aren’t necessarily love songs. Some of my songs are about spreading more love to one another while others are about love gone wrong, which could turn into hate.

Cole Cuchna of The New Humans

Cole Cuchna of The New Humans

Valentines Day: Love it or hate it?
I’ve never felt an attachment to Valentine’s Day. I don’t think I’ve ever had a girlfriend that was too into it either. I just proposed to my girlfriend, so I’m not sure if I need to do something extra special this year or if the proposal covers the next couple holidays. I’m hoping for the latter.

What motivates you more to write music: love or hate?
I couldn’t really say love or hate fuels my writing. Obviously I love music, but I’ve never felt that romantic “inspiration” everyone associates with musicians. I don’t fall in love and go running to the piano. I need a neutral mind to compose properly.

Do you have a funny V-Day story?
When I was 18 or 19 I dressed up in a suit and brought flowers to my girlfriend while she was at work. I wasn’t trying to be funny at the time, but I guess it’s kind of funny now looking back.

Early States Sound Off on Early Successes

Up, Up And Away

If Early States ought to have been intimidated by the traditionally aggressive cauldron of hardcore and metal bands bubbling out of the greater Sacramento area, they seem not to have noticed. In fact, they seem downright indifferent to the fabled demographic of their immediate proximity; a place where bands like Tera Melos shattered the glass ceilings of post-punk with dizzying mathematical permutations and broken instruments; a place where spatial metal heavyweights Deftones and Far ignited the tinder of disenfranchised Central Valley denizens and went knock, knock, knockin’ on Billboard‘s door; a place where the sheer strip-mallian essence floats so pungently in the humid troposphere, you’re damn near required to bleed Orange Julius should you be so unfortunate as to be shanked in the citywide food court. It’s this kind of focused apathy that seems to be setting the band apart from its peers in the local music scene, and it’s definitely getting it noticed outside of it as well.

Early States is fronted by 18-year-old Zack Gray. His affluence in songwriting has yielded the band (also including Shaun O’Brien, 20, on guitar and keyboard; Brandon Lee, 22, on drums; with recent additions Tom Hatch, 18, on bass; and Nick Silva, 18, on lead guitar) a fluffy bed of uber-pop melodicism and expansive indie-rock pomp.

“We weren’t apprehensive,” says Gray with regard to the divisiveness of the band’s sound. “If anything we looked forward to introducing people to something new. We want to be one of the bands that takes [the scene] in a new direction.”

While the band boasts an average age of 19, their focus remains steadfastly on the progression of their still fledgling career. Having just finished recording their debut EP Powerlines, Early States is forging ahead with not only their CD release show at Club Retro, but also with the spoils of their headway with major Los Angeles-based music licensing firm Immediate Music. The band was recently signed a licensing contract with the company, who is responsible for the composing and licensing of music cues and pieces for television and in the promotional campaigns of 70 to 80 percent of the top 50 highest-grossing films seeping out of Hollywood’s glistening underbelly, including the entire Harry Potter series, the Pirates of the Caribbean franchise and even ­Spider-man. Not a bad spot to be for a band that only formed about a year ago.

“Being the first band to sign with Immediate Music hasn’t changed our direction. It has only made us more driven and ambitious,” notes Gray. “We’re honored that a company as prestigious as I.M. wants to work with us. It’s definitely some great validation.”

The band is planning on shopping their music to proper record labels come January 2009, and figures to utilize the time in the interim to “tighten up any loose screws” and to focus on the release of their EP.

Powerlines was officially release at the Nov. 21 CD release show, but the album hit Purevolume a week prior for free (with the band on the front page), and has made its way on over to music Mecca iTunes, then Amazon, then to basically wherever music is sold on the wild wild Web. Additionally, the band has acquired an endorsement from Dickies clothing.

“Our band is our number one priority and we look forward to being able to give it our full, undivided attention,” explains Gray. And the drive with which he’s espoused his songwriting couldn’t cut closer to the quick of the proverbial angst-loaded post-grad.

Powerlines ushers in atmospheric nodes in all the right places, begging here and there for a unique thread to tether, but still maintains an unmistakable knack for hook-y transitions and guitar-smothered verve. Gray’s adolescent renderings of universal themes such as “love and conflict, to wanting to get away, to finding happiness in yourself instead of looking for it in other people,” while prudent, don’t belie the vastness of his visionary palate.

“Although those are the main themes that can be found on Powerlines, I really enjoy listening to people’s interpretations of what they think the songs are about and how they relate them to their own life,” says Gray.

Early States are hoping to tour in Spring 2009, but will be working on new material and playing local and regional venues to begin the arduous task of getting their name plastered in the fertile minds of show goers; more importantly, the quintet has already eschewed the reticence of the young band syndrome, and expects nothing but great things in the future.

“We believe that we’re a very hard working band, especially for our age,” says Gray. “We think we share the same focus as the bands we look up to and aspire to be like.”

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