Music & Games Night : In Leaves, Owltrain & Musical Charis
Wednesday, March 18, 2009
Marilyn’s On K, Sacramento
Sometimes when bands break up and members go their separate ways to form new groups, their fans are treated to twice the amount of music. An obvious example would be The Mars Volta and Sparta rising from the ashes of At the Drive In’s breakup in 2001. Such was the case when Sacramento-based pop-rock band Self Against City imploded in late ’08, catapulting the members into two different groups that would later come to be known as Musical Charis and Owltrain. It wasn’t the nastiest of breakups, but it surely wasn’t the prettiest either. On Wednesday, March 18 the split factions of what was once Self Against City were brought together at Marilyn’s on K. Would there be fireworks?
Musical Charis took the stage first. The two core members of the group are Blake Abbey (formerly of Self Against City) and Jessie Brune (also a very prominent local singer/songwriter); throughout their set, different musicians joined them and played various instruments. After somewhat of a slow start, the band really started to pick things up when their drummer joined in on the third song, giving the audience something more to groove to.
Highlights of the set included Abbey talking a whole bunch of crap about his former bandmates in the room (awkward yet hilarious) and the performances of crowd favorites “The Life,” “Anatomy” and their set closer “Baby Blue.” All in all, it was a great musical performance that showcased the musicians’ many talents from Abbey and Brune’s beautiful vocal harmonies to their great songwriting skills. Their set surely proved to all in attendance that Musical Charis is a force to be reckoned with in the music scene today. Look for their late May release of Electra Church Bells via JMB Records.
Next up was Owltrain, who with their more typical rock-band setup (two guitars, bass, keys, drums), were able to really up the level of energy in the room, with a sound reminiscent of bands like Mute Math, Minus the Bear, Coldplay and Radiohead.
The band’s most notable feature was the incredible performance of Owltrain’s drummer, Justin Barnes. The guy was a machine, and he looked so at home behind his kit it would make any percussionist want to practice more. (Even then they still probably wouldn’t have the chops this guy does.)
Barnes may have been the standout member of the group, but that doesn’t mean the other members didn’t shine as well. Jeffery LaTour, who played primarily guitar and some keys but sang backup vocals as well, made great use of his effects pedals and looped samples. He also was singing through what I later learned was some type of old telephone, rigged up as a microphone, which served as a very unique, lo-fi filter for his soaring voice. Jack Matranga, the group’s lead singer who also switched between guitar and bass, played some rather technical parts on bass and guitar while maintaining his breath and pitch control quite well. Finally, Danny Cocke, who mostly played bass but wound up with a guitar in his hands for a few songs, rounded out their sound perfectly with his effortless playing. The biggest crowd pleasers were “Harmony Cannons,” “Green Key,” and the set closer, “1984,” which included an incredible buildup at the end where sounds were layered upon one another until it came to an abrupt end, leaving the crowd mesmerized.
Rounding out the night was In Leaves, a brand new band to hit the Sacramento scene. Considering this was only their second performance as a full band, In Leaves was quite impressive and loud—very loud. With their amps set to 11, In Leaves proceeded to make everyone in the room’s ears bleed, but in a good way. In between songs, lead singer JJ Dunlap’s voice sounded destroyed, but during the songs he was great, proving how much of a trooper he really is. The band really started to shine when Dunlap dropped his guitar (not literally) and became more of an energetic frontman with his long shaggy hair in his face, a hole in his jeans and tambourine in hand as he furiously danced around the stage. His vocal style is similar to that of Caleb Followill of the popular band Kings of Leon—so watch out KWOD, you might be spinning In Leaves soon.
At the end of their very rockin’ set, In Leaves walked off stage with the microphone swinging from the rafters and feedback from the bass amp permeating through the room. The sound guy had a “WTF?” look on his face and everyone else was making sure they weren’t deaf. Hearing is overrated anyways.
Luckily, the only fireworks all night were of the musical variety, Abbey’s comments notwithstanding. Breaking up can be hard to do.
What’s More American Than Apple Pie?
Sacramento-based Izabella is set to have their CD release party for their third album, Drugs and Apple Pie, at Marilyn’s On K April 11, 2009. Politically inspired, the album is a product of the election, and a reflection of the supposed positive change that some feel has yet to materialize in the fledgling Obama administration. Now playing keys for Izabella, Jeff Coleman spent last campaign season as a deputy field director for Obama in New Mexico.
“The album is a comment on the bullshit we’ve all been through the last eight years,” lead guitarist Sean Lehe said from a thrift store in Provost, Utah, where he shopped for a Mad Hatter costume for the Alice in Wonderland-themed gig they had in Boise the next night. This is their third album in just more than two years, a “reflection of a young band trying to pull it together in today’s day and age,” Lehe said.
Drugs and Apple Pie comes from the lyrics in the second song on the album, “Bittersweets,” and though the album has political undertones, there is plenty of the band’s specialty—jam rock fused with funk, reggae, bluegrass and jazz. Or, “Norcal rock,” as Lehe described it.
While four of the group’s members claim Sacramento as home, another is from Chicago and the other from San Luis Obispo. “The six of us have a lot of history together,” Lehe said. “We sort of coalesced out of a number of different bands.”
And their musical style reflects that. At shows, they’ll cover the Beatles, Dylan, 2Pac and Ginuwine. They’re influenced by what Lehe calls “pop music from the last 40 years” such as Michael Jackson, Stevie Wonder, Led Zeppelin, Phish and the Grateful Dead.
To pull the album together, Izabella spent two weeks in early February recording in Cotati at Prairie Sun Studio. There, the six-piece found their “natural element,” and they worked with producer and engineer Oz Fritz, who’s worked with greats like Tom Waits, Iggy Pop, The Ramones, Herbie Hancock and countless other musicians.
“Everything was really green in Cotati,” Lehe said, explaining the band’s name, Izabella, “represents the feminine energy of creation—not to sound like a dorky-ass hippie.”
Feminine energy of creation? Izabella is also the name of a Jimi Hendrix song, but these guys are some dorky-ass hippies, and they know it. “Yeah, we don’t mind tie-dyes, and we like to watch girls’ hips when they hula-hoop,” Lehe said.
When they finished in Cotati, the band hopped in the Portabella, a 40-foot 1988 MCI Bus, for their tour of the West. They’ve meandered down the coastline and through the Rocky Mountains, playing Denver for St. Patty’s Day and then Boise. Their tour will take them to Sparks, Nev., then on to Chico and finally to Sacramento for the release of Drugs and Apple Pie, where Seattle’s Flowmotion will open for them. The band is confident Drugs and Apple Pie will bring success.
“We’re dropping one of the hottest records a Sac band has dropped,” Lehe said. “And I’ve lived in Sac a long time, so I can say that with confidence.”
Cuesta Drive’s Dane Drewis Plays Favorites
Sacramento’s own rock/pop/funk outfit Cuesta Drive is gearing up for the release of their sophomore album, Distractions. The diverse 15-track record is surely something to be proud of and lead singer/guitarist Dane Drewis confessed it was tough to choose his favorite track. “I have to admit, we have had a really hard time picking our single,” Drewis recently shared with Submerge.
“So, we decided to let the fans decide,” he continued. “We want them to listen and e-mail, Myspace or text us with their favorite choice.”
So, Sacramento, here is your chance to put your two cents in and let your voice be heard. Cuesta Drive will officially release Distractions on Saturday Dec. 27 at Marilyn’s on K. The show starts at 9:30 p.m. and the $15 cover charge includes a copy of the new record. After you cure your hangover the next morning from a fun-filled party night, listen to the CD in its entirety, choose your favorite track and let the band know! You might just hear your choice on local radio stations and think to yourself, “I chose that one!”
Despite his busy schedule getting ready for the release show, Submerge recently caught up with Drewis to talk about some of his favorite (and least favorite) things in life. Be sure to check out www.cuestadrive.com for more details about the band, tour dates and links to buy their music.
Favorite records of all time:
1. The Beatles: I’m not going to narrow it down to a single album, that’s not fair.
2. Songs in the Key of Life – Stevie (the 8th) Wonder of the World: His genius and talent drop my jaw on a daily basis. I still can’t believe someone can have so many incredible pieces of music.
3. Thriller – Michael Jackson: In today’s world we lose track of the art of “albums,” myself included, because of MP3s and song downloading etc., so you rarely sit down and listen to an entire album from front to back. Thriller is amazing; even today’s generation would think that it’s a “best of” compilation, but it’s not. That album was and still is that strong.
Favorite concerts you’ve attended:
1. Steely Dan: Holy jeez, some of the most ridiculous musicians I’ve ever heard/seen in my life. I think it’s cool as hell that the old guys still throw it down.
2. Tower of Power: My dad raised me on East Bay Grease, among other things. But seeing Tower play live, from a musician’s standpoint, it doesn’t get any better than that. They are what every band’s chops should strive to be.
3. Amos Lee: I just recently started getting into him. I do have to admit Mike [Camilleri, Cuesta Drive guitarist] introduced me to his music over a year ago, but I wasn’t quite ready yet for some reason. I went recently to see him at the Fillmore and he blew my mind. His songwriting and vocals are so strong; I don’t think I blinked, just stood there mesmerized for the entire show.
Least favorite concerts you’ve attended:
1. I don’t think I’ve never been to a concert that I severely disliked. If that happens, I usually find a way to distract myself. I’m pretty picky when it comes to choosing concerts, and even if it is not what I was hoping for, I always can focus on something else like the sound engineers, lighting, stage crew etc; that stuff always interests me.
Favorite shows you played in ’08:
1. Crawdad’s on the River on Memorial Day weekend: This is our second year in a row doing it, and the crowd is wild. The show is always great because everyone is feeling good and ready to party, all we have to do is plug in.
2. Our bass player was out of town for a couple weeks this summer, so we had a string of about five gigs with my dad on bass. He’s a guitar player by trade, so bass was relatively new to him, but he did an incredible job. Jamming on stage with my dad for those shows was something I will never forget.
3. Marylin’s on K, Thanksgiving weekend: This was our “pre-CD release show” and it turned out great. Tons of people came out to support and it was the first big show for our new drummer Jason Weed. We had been on a little hiatus while finishing up the new album, so it felt really good to get back on stage and turn up. I’m pretty sure the crowd enjoyed it as much as we did.
Favorites things to write songs about:
1. Love or lack thereof: Someone the other day told me we are like Romantic Funk Rock (haha), which made me finally realize that most of our songs are based on females. At first I thought that was a bad thing, and that we needed to start focusing on other topics. But you can only write about what you’re feeling at the moment, you have to capture the “now” inspiration, and for both Mike and I, that’s what comes out.
2. Miscommunication.
3. The trials and tribulations of getting through everyday life: That may sound cliché, but it’s the truth. Give the album a listen and you can decide for yourself.
Favorite things to do in and around Sac:
1. Playing shows is our favorite thing to do by far. I don’t think there is anything else we would rather be doing. I like to get out and play/jam every night if possible. I try to invade local open mics and sit in with people whenever they let me.
2. Drink profusely. Is that bad?
3. Barbecue in the summer: Nothing like sitting around on a lazy Sunday with friends, not having a care in the world. We definitely did a lot of that in San Luis Obispo, and if things go right, we’ll never stop.
4. I love to golf, but haven’t found enough time lately.
Favorite local watering hole:
1. The Dirty Bird, baby: I used to live about 50 yards from Club Raven. Big ups to Jimmy and Brad!
2. 2me is my new watering hole. Can never go wrong there.
3. Old Ironsides: I love going to open mic night with Lare Crawley and listening to him entertain the crowd. Good times.
Favorite movies:
1. Dumb and Dumber: Comedic genius. Anyone who is friends with us on Myspace knows I quote it regularly.
2. The new Batman: Awesome”¦.except when he talks.
3. Forgetting Sarah Marshall: I wish Aldous Snow was real.
Favorite TV shows:
1. Entourage: But I don’t have cable so I’ve watched season one on DVD about 20 times.
2. 30 Rock: Genius.
3. I know Mike wants me to say It’s Always Sunny in Philadelphia, and he’s right, that shit is funny.
4. Flight of the Conchords: It’s business time.
Favorite gifts you’ve gotten for Christmas:
1. Uggs: Say what you will about a guy in Uggs. Just know this: It’s like foot sex.
2. My 1982 Gibson 335: My dad bought it the year I was born. It has yet to be showcased at a live show. I want to make sure I’m worthy of it before I bust it out. That guitar is an absolute masterpiece, sonically and aesthetically.
3. My Vintage pre-CBS Fender Vibrolux amp: My dad held on to it for a long time and gave it to me last Christmas. I’m afraid to play it, because it sounds so good and everything inside is original. I’m kind of afraid to wear out the original tubes you know? You can hear it all over Distractions, it’s pretty much on every song somewhere.
