Sacramento Comedian Mike E. Winfield gets ready for the premiere of his new comedy/music mashup on FUSE TV

Words by Andru Bell

The first thing you notice about comedian Mike E. Winfield before he ever tells a joke is his smile. He has the kind of contagious, ear-to-ear grin that you can hear over the phone.

These days that smile might have a lot to do with the fact Winfield is counting down to the premiere of his new TV show, Off Beat, on the FUSE network Sept. 14, 2012, a dream he has been working toward his entire career. Winfield will host the weekly viral video music/comedy mash up with sidekick Mal Hall dissecting and analyzing the most outrageous music themed videos and viewer submitted clips (think “Chocolate Rain” and “Hot Cheetos and Takis”).

Off Beat features a heavy hitting production team including the legendary Vin Di Bona as one of the executive producers as well as creative consultant Mike Gibbons who worked on Tosh.0. “It’s viral videos that have a connection to music,” describes Winfield. “There could be someone at church dancing and they fall out the cathedral window. That could make the show.”

With the first season wrapped, and Hollywood notoriety around the corner, Winfield is still incredibly humble when speaking about his comedic roots and the path to his current success.

“In school I was hilarious to about three people only,” Winfield says when asked if he was the class clown. “I feel that everyone else knew me as Michael, the dude chillin’, trying to make the team.”

At points, growing up in East Baltimore, Md., was anything but comedic for Winfield. “I didn’t know how bad areas were where I lived until I got older,” he reflects back. “By eighth grade I was able to recognize that people were selling drugs on the block where I lived. I knew where not to get shot. I even knew how to spot an undercover vehicle.”

It wasn’t until moving to Sacramento after high school that Winfield would even step on stage for the first time to try his hand at stand-up comedy. His sophomore year at American River College, a small audience caught the first glimmer of greatness. Or something like that.

“I get on stage at this open mic believing I have the skills to freestyle a five minute set,” Winfield recalls. “I can barely freestyle a five minute set now, so it goes awry. I’m not booed, but it’s silence and stares–very awkward and uncomfortable. I figure that live comedy is not for me…and I focus on finishing college.”

Three years later, after graduating from Sacramento State with a bachelor’s degree in English he is faced with the decision to enter the teaching profession or attempt stand-up comedy again.

“I built the courage to return to the beast,” Winfield says. “But this time, I actually write material, which is the difference.”

The rest is Sacramento comedy history.

“I just started going to open mics and hitting them every week until more shows and doors started opening.” This was 2004.

It feels lightweight cliché to draw a comedic style comparison between Mike E. Winfield and Chris Rock, but the same charisma, originality and ability to relate to a crowd that made the latter a household name has propelled Winfield to where he is today. There is a definitive everyday feel to Winfield’s stand-up that he has maintained throughout all of his mainstream successes.

Since dedicating his life to the art of making a crowd laugh Winfield has been featured on BET’s Comic View, Comedy Central’s Live at Gotham, Showtime’s Comics Without Borders, Comics Unleashed, The Late Show with David Letterman and NBC’s The Office before being selected for his latest role as host of Off Beat.

The audition process for Off Beat started last year in Los Angeles when Mike E. Winfield and thousands of other comedians and on-air personalities of all kinds auditioned for the gig. It wasn’t until this past February that Winfield got word that he had beat out the competition and was Hollywood bound.

“It’s funny because I said, ‘I want my own TV show,’ but something like Off Beat I would’ve never planned,” Winfield says. “It’s weird because I don’t know what else I would be more fit for.”

Though he is the figurehead for a team of writers now, Winfield promises the same personal connection with the audience that has fueled his stand-up success.

“With Off Beat it feels so much like it is mine and people will really get to know me. They see so much of me just being myself so it’s more fitting than anything else I could even imagine.”

Now living back and forth between Los Angeles and Sacramento, Winfield is touring to promote Off Beat’s upcoming premiere. A comedian’s comedian, Winfield isn’t spending all of his time talking to morning news shows though. In fact, he is known for making impromptu appearances at local open mics from Sacramento to New York City. He explains, “Whatever town I find myself in, I’m trying to hit the stage.”

If you don’t Google him, you might spend an entire night hanging out with Mike before you realize that he’s sort of famous.

A few weeks ago, while back home visiting, Winfield dropped by a showcase at Luna’s Cafe, hosted by comedian Johnny Taylor, to do a set completely unannounced. “Mike E. is on the verge,” described Taylor, “but he’s different, because you know he’s one of those guys that really wants to bring the city with him.”

When asked how he plans to deal with the fame monster, Winfield jokingly responds that he has already scouted out a place to buy afro wigs to outfit his army of imposter drones in true pop star fashion.

“Britney Spears has to leave her house through some hidden chamber in the basement and has imposters that look like her,” he explains. “I have this place where I go get afros, throw them on people, and then have them leave before me.”

In reality, the gradual climb up the ladder of success has readied Winfield for the upcoming wave of (much deserved) recognition. “I feel like there was a set up for this,” he explains, “It’s a slow, gradual… BOOM.”

When asked his advice to aspiring comedians, there is no hesitation. His answer is immediate and fires off like a mantra. “Everything is about the work you put in,” he says, “I believe when you work hard at anything you see results even if it comes back to you another way. So it’s not talking about it. It’s doing the actual work. I’ll perform anywhere. I’ve performed at poetry shows, open mics and cafes. I’ve performed in the back of a vegan restaurant. If there is a microphone, I’ve been on it.”

It would be remiss to credit Winfield’s relentless work ethic and fail to mention his secret weapon, wife Kisha, who has stood by the comic’s side every step of the way and played the most important role behind the scenes. “September we’ve been married 10 years,” says Winfield. “The thing is we’re stronger than ever. She’s the one behind the scenes getting stuff done.”

Though his marriage is not off limits as fodder for his stand-up, it is clear that she is another reason for that famous smile. You have to respect and admire a wife that can truly support a struggling comic with showbiz dreams. And clearly Winfield does.

Mike E. Winfield will be back in Sacramento headlining at The Punchline on Oct. 4, 2012 as well as multiple shows over Thanksgiving weekend, also at Punchline. …And you never know where he’ll show up between now and then.

Keep up with Mike E. Winfield as Off Beat hits the airwaves and set your DVRs for the premiere Sept. 14th at 7 p.m. on the FUSE network. You can also follow his misadventures in viral video via his Twitter, @MikeEWinfield, and his website http://mikewinfield.com/. You can see Winfield live at the Punchline in Sacramento on Oct. 4. For tickets and more info, go to http://punchlinesac.com/

For Jon Mess, Music and Art Share a Similar Rhythm

Artist Jon Mess might be the only human example of going from zero to 60 and back in 3.5 seconds. One second he is thrashing paint on a canvas with quick and forceful strokes; the next he is stopping and staring intently at the chaos before him. He likes to start off a painting at a very fast pace but then slows down to analyze each stroke. At times he will stare at his work for more than 30 minutes.

For the past 10 years, Mess has experimented with various art forms including painting, graphic design, writing song lyrics even perfecting screamed vocals. His causal demeanor and laid-back personality make it seem surprising that his well-known talent is screaming lyrics in front of raving fans. He has been in the spotlight as a vocalist for Sacramento’s post-hardcore band, Dance Gavin Dance, but has been under the radar as a talented local artist. Each creative side of him represents the perfection of organized chaos; that can be heard in the vocals and seen in his art.

“I try and create a sort of rhythm with the strokes…like the way that music or notes would go up and down on a scale,” Mess said while sitting on a bench outside of his art studio. “I like the element of just going at it and moving real fast but at the same time I want to have balance and stability and take into account [the] formal element of art.”

His abstract artwork is full of bright colors and sharp strokes that leave no empty space on the canvas. Each piece of art is completely open to interpretation and everyone will have a different opinion on what the image is or what it means to them. It’s a “choose your own adventure” art show, Mess said. One minute you might see a rabid zombie dog but after a close examination you might see two eerie dark figures appear in the painting.

To get started on a painting, Mess lets his natural intuition and spontaneous side work together. “That’s one of the main things about my process is that I don’t work from an image or I don’t usually work from an idea,” Mess explained. “I put a mark on the canvas, then another one and then it starts to look like something.”

But if Mess does have a sporadic thought in his head it normally comes out as a painting, a lyric or sometimes both. From the most recent Dance Gavin Dance album, a song titled “The Robot with Human Hair Part 2 ½” contains three words that seemed to cause a small uproar with some of his fans.

“There is this one lyric that is ‘confusing ice cream cone.’ People were always misinterpreting or are confused as why the lyrics weren’t cohesive, just scatterbrained. Well, my lyrics are confusing ice cream cones,” he said. “Then I painted a big ice cream cone with a big question mark.

If it works, it fits in the song and fits on the canvas, why do I need more meaning than that? Why can’t I just paint anything?”

Having a creative process isn’t new in his family; in fact his artistic talent could prove that the creative gene might be a dominant one. Growing up he watched his mom sculpt clay vessels and “curvy vases”; he worked for his uncle, a veteran artist who builds massive metal creations; he is related to one of the animators of the legendary cartoon show The Simpsons; and his cousin works for the art department at UCLA.

“Why is everyone an artist? This must be genetic,” Mess said about his artistic family history. “My mom always had a studio attached to the house with kilns, a potter’s wheel, clay and paints. I learned and did sculptor clay when I was a lot younger and I starting painting when I was 16.”

Since then, he has completed many paintings that he is ready to share with the Sacramento community. Starting on April 14 the FE Gallery will display some of his work for his fans and art enthusiasts to enjoy. He is excited to move all of his artwork from his current studio (that he shares with other local artists in downtown Sacramento) and formally hang it in an official art gallery.

The final product of the art show will have a completely different vibe than Mess’ current workspace. At first glance his art studio resembles an abandoned warehouse, but after walking inside and smelling the paint fumes, anyone could sense the hard work that surrounds the studio. The crowded building is divided into multiple messy workstations, and it’s hard to tell where one art station begins and where the other one ends.

But this environment is a recent upgrade from working at home in his apartment. “I was getting paint on the carpet, the walls, my hands, bathroom and my cat. [It] would get on him and he would track it around,” Mess said. “So out of necessity I had to move it all out. It’s been really nice.”

His upcoming show will be his first official gallery show, apart from college galleries at Sacramento State. While attending college, Mess studied electronic art and started to feel out his interest in post hardcore metal music. This slight interest and curiosity led him to become a famous hardcore screamer, a skill that he happened to pick up randomly.

“I didn’t know what I was doing at all at first and there was no real guidebook,” he said. “I asked a vocal coach at Sac State and they were like, ‘You are going to destroy your voice. You can’t do this. You’ll have no career.’”

If Mess had believed the unfaithful coach, he wouldn’t have toured with Dance Gavin Dance across the United States, and he wouldn’t have been called a “resident screamer” by Alternative Press. After being told he would have no career in screaming, Mess ended up headlining Sacramento State with his band almost right after his graduation date. But in terms of his future career, Mess is a little unsure of where his art will take him. He is going to “play it by ear” but doesn’t plan on slowing down anytime soon.

“I’m trying to stay within the creative field but in terms of what specific path it’s going to take,” Mess said. “I know that I can always just paint forever.”

Check out the works of Jon Mess at FE Gallery. The exhibition will run through May 3, 2012. The gallery is located at 1100 65th Street, Sacramento and can be found online at http://www.fegallery.com/. If you’d like to see more of Mess’ artwork, go to http://jondmess.tumblr.com/.

Jack Antonoff of Fun. sounds off on an important time for his band and a key moment in American history

Fun. stands at a difficult crossroads for any band. Their hard work over the past four years is starting to pay off in bigger success and more recognition. Some Nights, the band’s sophomore album, was released by Fueled by Ramen on Feb. 21, 2012. Powered by the hit single “We Are Young” (featuring space-age hip-hop chanteuse Janelle Monae), the album topped Billboard’s rock and alternative charts and peaked at No. 3 on its Top 200. Submerge spoke to Fun.’s Jack Antonoff before he and his band were set to head out on a spring headlining North American tour through early May, of which many of those dates are already sold out. Antonoff sees the tour as a big step forward for Fun.

“I don’t know if it’s just the tour or a lot of things that are culminating for us now,” Antonoff says. “For better or for worse, we’re definitely having a moment.”

This has left Fun. having to deal with the sometimes cumbersome burden of increasing popularity, though it’s not a burden they seem to shy away from shouldering. However, Antonoff acknowledges, “It’s not a very simple thing. There are a lot of angles to it.” He expresses a desire to keep the best interests of those fans who have been with Fun. since the beginning close to heart.

“One thing that constantly crosses our minds is that the fans who have been coming to our shows and supporting us for the past three years never feel alienated,” Antonoff says. “With the song being played on the radio and all of the TV stuff happening and the band becoming more popular, that can be weird for some of the people who have been here since the beginning.”

Fun. has made headway into the late-night talk show circuit, appearing on Conan, but the band has also gotten the Glee treatment recently. “We Are Young” was covered by the students of the fictional William McKinley High School on a recent episode of the popular TV program.

“We thought they did it incredible justice,” Antonoff says. “With a song like ‘We Are Young,’ it could have been placed in a really cheesy scenario, but they put it in a really poignant moment, in a real culmination and an emotional moment in the show. It was great to see the way it played out.”

“We Are Young,” as with many of the songs on Some Nights, would seem a perfect fit for a show like Glee. Soaring, sing-along-worthy, energetic pop wrought with emotion is the order of the day. The album has the feel of a mini-rock opera in which Fun.’s singer Nate Ruess seems to be giving a tactful nod to the great frontmen of the past (Freddie Mercury comes to mind). However, much has been made of Ruess’ growing infatuation with hip-hop as a major impetus behind the album. This was probably compacted by the band’s hiring of Jeff Bhasker, who has worked with artists such as Birdman and Kanye West in the past. The hip-hop influence can certainly be heard in the layers of production and catchy beats, but Antonoff says that those who are familiar with the band won’t have to readjust to a new and radically different sound.

“I think hip-hop gets talked about a lot because it was one of the more recent influences, but huge classic rock music and theater and classic pop are the influences that the band was built on,” he explains. “Those don’t go anywhere.”

In the following interview, Antonoff talks a bit about working with Bhasker and touches on an issue he and the band take very much to heart–gay civil rights.

You were picked to be on Glee, and I was wondering how that came about and what your initial reaction was to that.

With Glee, they just called us and asked us if they could use the song. There wasn’t really too much more to it.

We were really excited about it, because Glee is a really positive, really cool show, in a time in America when you don’t get a lot of that. There are very few sources in the media on the mainstream level that are telling the stories and giving the voice to any sort of underdog–particularly in Glee with the gay community. If you could imagine being a young gay kid growing up in Middle America, a show like Glee may be your first opportunity to come to realize that you’re completely normal. We were really proud of it.

Listening to the song, it seems like it would be tailor-made for that kind of thing–a show about young people and it has such a big sound to it. I saw a clip on MTV.com where you mentioned that “We Are Young” was like the bull’s-eye of Some Nights. Was that one of the first songs you wrote for the album?
I think it was the second or the third, but it was the first song we worked on in the studio. It was the first song that we realized that would dictate a lot of the album.

So after that song came together, did you find the rest of them clicking into place? Did you start tailoring the rest of the songs so they’d fit in that vein?
I don’t know if songwriting is ever a problem, it’s more about production and feeling and where to take them on that level. After that, it became very clear the parameters of the album, and the job of fitting everything else into that–because you want an album to have a sound, but you also want it to be extremely diverse and fascinating, so you really have to set a framework of where you can go with what that album is. To have a centerpiece is really an invaluable tool.

How was it working with Jeff? What did he add to the album?
Jeff was amazing. He added this whole element that we never would have come across on our own, which, at the end of the day, is what you hope for in a producer. On a very specific level…but more importantly on a non-specific level, it was his attitude, his excitement, his passion for the music. Not that we don’t have it, because we have a great deal of that, but he had a different kind of it. It’s his special brand of it, which is almost physical and intense, which really rubbed off on us. It made us more excited and more willing to make an album that was going to have a more physical and more immediate reaction on that kind of level…

Everything is always going to be our vision, and his job is to guide that vision. He was the element in the studio that made a lot of those dreams come true.

I saw that you guys are working with Revel and Riot on this spring tour, and I was wondering how you got involved with that organization and if you’d like to talk about that a little bit.
We’re really excited to be doing that. Gay rights mean a lot to us, and more importantly they should mean a lot to everyone, but unfortunately in 2012, a lot of people are really apathetic about it, or even worse and have some bizarre opinions about it. It’s a human rights issue. We all know where it’s headed, and we all have the opportunity to help make it right, or be silent and be a part of holding it back and denying people their basic rights.

One of the biggest problems with the issue is a lot of people don’t see it as their problems. They don’t say anything, they don’t speak up. They quietly support and therefore don’t really support at all. As a band of three straight guys, we feel it’s vital to use whatever platform we have to make a statement about this and help educate and be very clear about where we’re coming from. We’re the kind of people, and our shows are the kind of shows, where none of that bullshit would ever be tolerated–no homophobia, or non-acceptance of any kind of person. More importantly than that, we urge our fan base to really take a good hard look at how they personally are or aren’t helping the issue.

We live in a huge moment when it comes to gay rights, where it’s going to tip one way or the other. It’s getting to the point where we’re all on the hook, whether we’re doing nothing or we’re doing everything. Whatever we’re doing is some sort of statement.

Maryland just passed a bill allowing gay marriages. It seems to be tipping in a positive direction. Do you see that continuing or are you skeptical about the climate in the future?

What makes me skeptical is that–I think about African American civil rights–people were treated a certain way, because that’s all anyone knew. So when that changed, people were reeducated, and as generations moved on and things changed, it became more of a level playing field. What’s different with gay rights is that the Bible, which a lot of people think is really great, says it’s a sin to be gay, and I don’t see the Bible going anywhere. That creates a different scenario. What I see is a lot of great legislative change. I see gay marriage becoming legal in more and more countries… In a perfect world it would go straight federal and that anything that’s separate or unequal would be completely abolished. But even if that were to happen, you’d still have a large portion of people who’ll have a problem with homosexuality based on religion. I think that it’s going to be an ongoing issue in the sense that it’s always going to be something we’ll have to consider, and it will always be a fight. Hopefully it will end up as benign as the way religious people feel about the rest of us, that we’re going to hell and who cares. In the current climate, unfortunately a lot of people who have the Bible on their side are also the same people who are voting and making laws and more importantly stopping laws that could really help another human being. I do see it changing in the future, but I just think it will be a strange road for it to get there.

Fun. will play a sold out show at the University Union Ballroom at Sacramento State on March 26, 2012. Learn more about Fun. through the band’s website http://Ournameisfun.com. If you’d like to know more about Revel and Riot, go to http://Revelandriot.com

Jesi Naomi finishes up her first album with The Trippers

For Jesi Naomi, energy is everything. If you focus your energy on the things you desire, and release that energy out into the world, you will attract the things you want in life.

So once she had her mind set on playing music back in 2009, she took some advice from her aunt. She began telling everyone she knew that she was going to become a musician.

Next thing you know, the singer/songwriter was singing ballads at Capitol Garage. Then she met local indie band Bell Boys at Fox and Goose downtown during an open mic night, and they helped her learn the tricks of self-promotion. Later she met local jam band ZuhG, of which she is now a member.

When Naomi is playing solo, ZuhG members JR Halliday, Bryan Nichols and Kevin Martinez comprise her backup band, altogether as Jesi Naomi and the Trippers. In March she will go on a two-month “For the Love of Music” tour, performing both in ZuhG and as a solo artist.

Two years into the music scene, the 24-year-old is now preparing for Jesi Naomi and the Trippers’ debut album, Earplay, to be released in January.

Earplay is seven tracks of blues and soul combined with psychedelic nuances and djembe, saxophone and ukulele thrown into the mix. It was recorded in the span of around three months by Joe Johnston at Pus Cavern.

The album opens with “Kosen Rufu,” which is the title of both the intro and outro tracks. It is also a guiding theme of the album. Broadly defined, it is world peace through individual happiness, a concept stemming from Buddhism. As a practicing Nichiren Buddhist, this concept is paramount for Naomi.

“[Kosen Rufu] is world peace by making each person have their individual peace,” she explains.

Certainly this applies to the song “Change Train,” which Naomi wrote for her mother, who was an alcoholic.

Her mother’s attention was constantly split between her children and the bottle, and Naomi remembers thinking, “If I write this song, I want her to find her change train. If I sing this song as many times as I can, she’ll get better.”

A year later, after performing the song show after show, her mom told her she had gone sober.

Though school had never been Naomi’s thing, it is what brought the Chico, Calif., native here to Sacramento. Naomi thought she was going to make music videos for a living. She was enrolled at Sacramento State as a media/marketing major.

Yet reading, comprehension, spelling, memorizing was the sort of thing she felt detached from. Whenever she hit a burn out point, she would think to herself, “Forget this. I’m gonna go paint.” Up to this point, painting had been her artistic release.

But somewhere along the way she discovered the pianos in the music rooms at school. Then a guy by the name of Richard Martin started listening in on her practicing piano and pushed her to learn scales.

“That’s where it all started,” she remembers. “I just needed a little direction.”

That Christmas her younger brother taught her how to play the guitar, something she thought she would never be able to do, mostly because the thought of memorization intimidated her. But memory is just a muscle, she can now say with confidence, and what’s more important than memorization is feeling the music. And she has come to realize that she’s got music coursing through her veins.

“Music is in my blood,” she says earnestly.

You could say Naomi is following in her father’s footsteps. He played drums in a band called Pole Cats back in the day and went on tour when she was still in her mother’s belly. Though he’s no longer in a band, he played drums on the track “Hold Me Nice” on Earplay. It is the first song Naomi ever wrote, back when she was learning how to play piano.

She often catches people by surprise when she reminds them that it’s only been two years since she started playing music.

“There’s no better way to learn than to just get thrown into the deep end and hope to swim,” she laughs.

Yet when she is performing it is as though she’s been a musician on a stage all her life, as though that is where she is meant to be. She wields a sense of confidence and power that is hard to come by in a performer.

Offstage Naomi is warm and easygoing. Sitting in the practice space behind the ZuhG Life store, she sips on Earl Grey tea and speaks effortlessly about her music in a conversation that lasts a good 45 minutes. She wears an enchanting smile on her face and responds coolly in a bluesy tone.

Make no mistake that this is a woman with self-respect.

In a way, Naomi says, women have it easier in the music world because they are more marketable. The notion is that they just have to look good.

“That in turn makes it harder for a woman to really put out her true soul,” she says.

“I’m not going to go up there and wear some skanky outfit and not know what I’m singing,” she continues. “I want the music to shine, that’s pure beauty to me.”

Still, she’s been approached by the occasional creep for the wrong reasons.

There was one, she recalls, who made himself out to be the big-time producer who would get her work noticed.

“I thought I was going in to make a demo tape, [but] it wasn’t like that,” she says. “Thank God my mom raised me to know about those kinds of things.”

She went her separate way, with her mind in one place. It’s all for the love of music.

And despite the few exceptions, Naomi says she’s received a wealth of support from her male colleagues.

“I feel like I get a lot of respect being a [female musician], especially if I respect myself,” she says.

If that is the energy Naomi puts out into the universe, certainly that’s what she’ll receive.

Jesi Naomi and the Trippers will be putting forth positive energy at Marilyn’s on K Jan. 7, 2012 when they celebrate the release of Earplay, a seven-song EP. There will be a $10 cover, which will include a copy of the CD. Also playing will be Brad Relf, The Bell Boys, James Cavern and Monkey Flower. Show starts at 8 p.m.

Local Artist Jim Shepherd, Jr. puts his love of Sacramento locales on canvas

To a degree, relationships are a matter of how much time you can stand to spend with someone. With family, friends, acquaintances… Or paintings.

Sometimes, Jim Shepherd, Jr. finds his relationships consuming enormous chunks of his time, to the extent that his only moments away from it are to eat or use the bathroom.

One of these recent relationships was with a 4-by-6-foot painting of a scene inside Old Ironsides. He built the stretcher bars himself. The painting was done with oils rather than acrylics, a more arduous task.

“There was a day when I spent 15 hours just working on that monstrosity,” he recalls.

It was not unlike a relationship with a person, he adds, where it becomes a test of how much time you choose to spend around someone.

When he found it hard to break away from the painting, he knew his heart was in it.

“That’s awesome to me, when your heart is so connected to something you can’t part with it,” he says.

Shepherd is a local artist. Some of his more recent pieces will be in two different shows around town this month; one of which will have kicked off at Slice of Broadway this past Saturday by the time this issue is released. The other show will open on Nov. 18, 2011 at the Vox at Thinkhouse for their one-year anniversary.

For a while, Shepherd’s paintings focused on women. He would conceptualize the women and settings to paint them in. “I think it’s my hormones maybe, or just practicing [painting] the body, I guess. Who knows?”

He has integrated fabrics into some pieces, scavenging clothing in thrift stores and then cutting them up to glue onto canvases and paint over. A plaid fabric becomes the backdrop to a painted woman, for instance, and a piece of string rests around her neck.

After painting so many women, he is finally reaching a burnout point, he admits.

Nowadays he finds himself painting places he frequents. He will bike around town and snap photos of the places he then paints: Townhouse, Old Ironsides, B Street Theatre or Tower Theatre.

These are not concepts randomly pulled from the ether, he assures. This is a way he expresses love. Similar to his paintings, he has established a sort of relationship with these places, he says. Each location bears some kind of significance in his life.

This is how Old Ironsides, a place that has become a regular hangout for Shepherd, became subject matter for a painting.

Now he is working on painting the eerie two-story house at the corner of H and 21st, just down the street from Old Soul at Weatherstone. The fine details, the shingles of the house and whatnot, has made it another time-consuming piece.

Another common theme in his paintings is images accompanied by words, either lyrics from songs or quotes from books.

He pulls out a framed canvas from his backpack. The bottom layer is black floral fabric pasted down. Over it he painted bottles of alcohol and the words, “No, free spirits ain’t setting no one’s spirit free,” a quote from the song “Woo! Alright, Yeah… Uh Huh” by The Rapture.

“I’ve always liked the idea,” he says. “Even though you’re drinking doesn’t mean you are having a good time.”
This recently completed piece will be on display at Slice of Broadway.

Sometimes his intrigue with his surroundings is overwhelming, he says, to the point that he has trouble focusing on ideas.

Now he is exploring the idea of moving beyond painting pictures to “maybe start seeing the world around me in a sense and commenting on it, being a little bit more reflective.”

Another project he has begun to plan involves creating art that the blind can experience.

“Someone that paints like this, a blind person wouldn’t know what the hell this is,” he says, tapping on his painting.

The idea was born from the question: “How do blind people dream?” How do they see people or color in their dreams, he wondered. After pitching the question to a blind person, it evolved into another question: “How do blind people experience art?”

When it comes to visual art, “there’s this whole world that I can experience that they can’t,” Shepherd explains.
The project is still in the conceptualizing phase, but the pieces will be primarily based on touch, using different textures. Shepherd is looking for an ADA-compliant location to feature the exhibit and people to spearhead the project with him.

What is truly rewarding, he says, is the ability to emotionally move people with his art. Ideally, he would like to move strangers enough that they will want to buy his work.

Like many struggling artists, though painting is his passion, it is not his primary source of income.

“That would be fantastic if it was,” he says. He graduated from Sacramento State last year with a degree in art studio. Ideally he would like to continue school, possibly enter a master’s program. He could use the discipline, he says.

Money is an issue, though. Compared to other artists, Shepherd asks very little for his work, he says, making it difficult to sustain an income this way.

For now he works 40 hours a week, making enough to pay for his small apartment in Midtown.

It’s not the most ideal setup for an artist, and he finds himself often working with “shitty lighting.” Despite limited resources, though, he plans to create, come hell or high water.

“I think people need to kind of struggle a little bit to appreciate the good things,” he says. “And if good things happen to me, well, then I’ll damn well appreciate them.”

See Jim Shepherd, Jr.’s work now at Slice of Broadway, located at 2424 16th Street in Sacramento. More of his work will be on display later in the month starting Nov. 18, 2011 at Vox at Thinkhouse, located at 1818 R Street, also in Sacramento.